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period when he attained Nirvana. The third gallery wall contains one hundred and eighty bas-reliefs, depicting the apotheosis of Buddha. The fourth, in eighty different scenes, pictures the rewards given to kings who have been Buddha worshippers, while the fifth contains a large number of images of Buddha and of two kings, probably the founders of the temple. Other bas-reliefs that are interspersed represent fanciful subjects and scenes from life or are illustrations of legends; one of the latter deals with the turtle, which is regarded as sacred by all true Buddhists. Staircases ascend from gallery to gallery in a straight line on each of four sides. These have pointed arches with carved keystones, and formerly were guarded by heavy banisters and carved lions. The parapeted walls of the galleries were once decorated with four hundred and thirty-two niches, each with three turrets, and contained four hundred and thirty-two life-sized Buddhas, seated on lotus cushions. [Illustration: _Boro Boedor, in Java_] [Illustration: _Stairway of Boro Boedor, Java_] [Illustration: _Boro Boedor, Java, showing one part of the gallery_] The three upper circular terraces are individually adorned with thirty-two, twenty-four, and sixteen openwork bell-shaped cupolas, or dagobas, each containing a Buddha in sitting posture. Inside this circle rises the central dagoba of huge, imposing dimensions, the final crown to the whole structure. This is modelled after the same type as the smaller ones, but its walls rise perpendicularly from the base, which has the form of a huge lotus cushion in a beautiful frame, and ends at the top in a slightly rounded dome rising at least twenty-seven feet above the highest terrace. Of the cone which formerly surrounded this dagoba nothing is left except part of the pedestal, a stone block afterwards fashioned into a seat five feet high by ten feet broad. This is reached by some rough stone steps. The cupola, or dagoba, was at one time entirely closed, but when opened some years ago it was found to contain a large unfinished figure of Buddha. Our party climbed to the seat alluded to, and what a view presented itself!--a wide valley or plain, miles in extent, surrounded by the towering Minoch mountains in the distance, with lesser mountains seemingly as foothills, but nevertheless some of them volcanic craters; villages almost concealed by the masses of foliage, with whole tracts of palms and mas
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