nd Edmund# has an arcade on the east wall similar to that in the
chapel of S. Clement. The aumbry is on the north and the piscina on
the south side of the position which the altar used to occupy.

The #Rood-Screen# at the entrance to the choir from the nave was
erected in 1889, and is a memorial of Archdeacon Walker. It was
designed by Mr. T. Garner. At the point where the arms of the cross
meet is a figure representing the "Agnus Dei," and at the extremities
of the cross are carvings of the four-winged figures of the cherubim.

The #Pulpit# was designed by Sir Gilbert Scott, and is a memorial
of Dean Hook. It is very elaborately carved, and is made of Caen stone
and Purbeck marble. The four figures are intended to represent
Matthew, Mark, Luke, and John.

The #Lectern# of brass was presented to the church as a memorial of
Richard Owen, of Chichester, by his daughter.

The #Font# under the south-western tower is a copy of an old one in
the church at Shoreham. It was the gift of Bishop Durnford, as a
memorial of his wife.

The #Monuments in the Nave# have in many cases suffered from bad
usage, and in most instances they do not now occupy their original
places in the building.

The canopied memorial to Bishop Durnford (1), [30] under which is a
recumbent effigy, forms part of the screen between S. Clement's
chapel and the south aisle of the nave. It was designed by Mr. Garner.
There are several tablets in the nave and aisles by Flaxman. The best
are those to the memory of Captain Cromwell's wife and daughter (2),
in S. Clement's chapel, and one on the north side of the nave, in the
chapel of the Four Virgins, as a memorial of Collins (3), the poet,
who was a native of Chichester. The two recumbent figures under the
arch leading into this same chapel are said to be those of Richard
Fitz-Alan, Earl of Arundel, and his wife (4). It was restored by
Richardson. Fitz-Alan was beheaded in 1397. Some say that these two
figures were removed from the chapel of the monastery of the Grey
Friars at the time of the Reformation, and were placed in their
present position in 1843, having been found embedded in the stonework
of the chapel wall close by. The base upon which the figures rest is
modern. The earl is represented in full armour. At his feet is a lion,
and at his head, under the helmet, is a coronet and a lion's head. At
the countess's feet is a dog, and her head rests upon two pillows.

[30] The figures in parenthesis