Haoma righteous, death-destroying:--
"Zoroaster, I am Haoma,
Righteous Haoma, death-destroying.
Do thou gather me, Spitama,
And prepare me as a potion;
Praise me, aye as shall hereafter
In their praise the Saviors praise me."

Zoroaster again inquires, wishing to know of the pious men of old who
worshiped Haoma and obtained blessings for their religious zeal. Among
these, as is learned from Haoma, one was King Yima, whose reign was the
time of the Golden Age; those were the happy days when a father looked
as young as his children.

In the reign of princely Yima,
Heat there was not, cold there was not,
Neither age nor death existed,
Nor disease the work of Demons;

Son and father walked together
Fifteen years old, each in figure,
Long as Vivanghvat's son Yima,
The good Shepherd, ruled as sovereign.

For two chapters more, Haoma is extolled. Then follows the Avestan Creed
(Yasna 12), a prose chapter that was repeated by those who joined in
the early Zoroastrian faith, forsook the old marauding and nomadic
habits that still characterize the modern Kurds, and adopted an
agricultural habit of life, devoting themselves peaceably to
cattle-raising, irrigation, and cultivation of the fields. The greater
part of the Yasna book is of a liturgic or ritualistic nature, and need
not here be further described. Special mention, however, must be made of
the middle section of the Yasna, which is constituted by "the Five
Gathas" (hymns, psalms), a division containing the seventeen sacred
psalms, sayings, sermons, or teachings of Zoroaster himself. These
Gathas form the oldest part of the entire canon of the Avesta. In them
we see before our eyes the prophet of the new faith speaking with the
fervor of the Psalmist of the Bible. In them we feel the thrill of ardor
that characterizes a new and struggling religious band; we are warmed by
the burning zeal of the preacher of a church militant. Now, however,
comes a cry of despondency, a moment of faint-heartedness at the present
triumph of evil, at the success of the wicked and the misery of the
righteous; but this gives way to a clarion burst of hopefulness, the
trumpet note of a prophet filled with the promise of ultimate victory,
the triumph of good over evil. The end of the world cannot be far away;
the final overthrow of Ahriman (Anra Mainyu) by Ormazd (Ahura Mazda) is
assured; the establishment of a new orde