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The Project Gutenberg EBook of The Road to Damascus, by August Strindberg This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Road to Damascus A Trilogy Author: August Strindberg Commentator: Gunnar Ollen Translator: Esther Johanson and Graham Rawson Release Date: September, 2005 [EBook #8875] Posting Date: August 8, 2009 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE ROAD TO DAMASCUS *** Produced by Nicole Apostola THE ROAD TO DAMASCUS A TRILOGY By August Strindberg English Version By Graham Rawson With An Introduction By Gunnar Ollen CONTENTS INTRODUCTION PART ONE PART TWO PART THREE INTRODUCTION Strindberg's great trilogy _The Road to Damascus_ presents many mysteries to the uninitiated. Its peculiar changes of mood, its gallery of half unreal characters, its bizarre episodes combine to make it a bewilderingly rich but rather 'difficult' work. It cannot be recommended to the lover of light drama or the seeker of momentary distraction. _The Road to Damascus_ does not deal with the superficial strata of human life, but probes into those depths where the problems of God, and death, and eternity become terrifying realities. Many authors have, of course, dealt with the profoundest problems of humanity without, on that account, having been able to evoke our interest. There may have been too much philosophy and too little art in the presentation of the subject, too little reality and too much soaring into the heights. That is not so with Strindberg's drama. It is a trenchant settling of accounts between a complex and fascinating individual--the author--and his past, and the realistic scenes have often been transplanted in detail from his own changeful life. In order fully to understand _The Road to Damascus_ it is therefore essential to know at least the most important features of that background of real life, out of which the drama has grown. Parts I and II of the trilogy were written in 1898, while Part III was added somewhat later, in the years 1900-1901. In 1898 Strindberg had only half emerged from what was by far the severest of the many crises through whic
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