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u believe them? Some few may be inspired with the idea that the thing is impracticable, but they will all preach separation when the right time comes. 'Pay no taxes to England,' they'll cry. The people can follow that. Tell them that any course of action means non-payment of anything, and they're on it like a shot. Why, the Paying of Tribute to England is already discussed in every whiskey shop in Galway, and every man is prepared to line the ditches with guns and pikes rather than pay one copper. When you can't give Strachan the farm for which he paid last February, when you can't keep a small farmer who won't pay rent from occupying his farm and getting his crops as usual, for he _will_ do so, how are you going to raise the famous Tribute Money?" Near the Town Hall was a great crowd of people listening to a couple of minstrels who chanted alternate lines of a modernised version of the _Shan van vocht_. "Let me make the songs of a people, and I care not who makes its laws." Mr. Gladstone is appreciated now. The heart of the Connaughtman throbs responsive to his pet appellation. This is part of the song-- Oi'm goin' across the say, says the Grand Old Man, Oi'll be back some other day, says the Grand Old Man; When Oireland gets fair play We'll make Balfour rue the day,-- Remimber what I say, says the Grand Old Man. Whin will ye come back? says the Grand Old Man, Whin will ye come back? says the Grand Old Man, Whin Balfour gets the sack Wid Salisbury on his back, Or unto hell does pack, says the Grand Old Man. Will ye deny the Lague? says the Grand Old Man, No, we'll continue to the Lague, says the Grand Old Man. John Dillon says at every station, 'Twill be his conversation Till Oireland is a nation, says the Grand Old Man. There are three more verses of this immortal strain. The _Shan van vocht_ was the great song of the '98 rebellion, and possibly the G.O.M.'s happy adaptability to the music may put the finishing touch to his world-wide renown. Other songs referred to the arrest of Father Keller, of Youghal. "They gathered in their thousands their grief for to revale, An' mourn for their holy praste all in Kilmainham Jail." These ballads are anonymous, but the talented author of "Dirty little England" stands revealed by internal evidence. The voices which chanted these melodies were discordan
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