for a
portrait for the ancestral cult, was until late time regarded as a
craftsman, not as an artist. Yet, these "craftsmen" have produced in Han
time and even earlier, many works which, in our view, undoubtedly belong
to the realm of art. In the tombs have been found reliefs whose
technique is generally intermediate between simple outline engraving and
intaglio. The lining-in is most frequently executed in scratched lines.
The representations, mostly in strips placed one above another, are of
lively historical scenes, scenes from the life of the dead, great ritual
ceremonies, or adventurous scenes from mythology. Bronze vessels have
representations in inlaid gold and silver, mostly of animals. The most
important documents of the painting of the Han period have also been
found in tombs. We see especially ladies and gentlemen of society, with
richly ornamented, elegant, expensive clothing that is very reminiscent
of the clothing customary to this day in Japan. There are also artistic
representations of human figures on lacquer caskets. While sculpture was
not strongly developed, the architecture of the Han must have been
magnificent and technically highly complex. Sculpture and temple
architecture received a great stimulus with the spread of Buddhism in
China. According to our present knowledge, Buddhism entered China from
the south coast and through Central Asia at latest in the first century
B.C.; it came with foreign merchants from India or Central Asia.
According to Indian customs, Brahmans, the Hindu caste providing all
Hindu priests, could not leave their homes. As merchants on their trips
which lasted often several years, did not want to go without religious
services, they turned to Buddhist priests as well as to priests of Near
Eastern religions. These priests were not prevented from travelling and
used this opportunity for missionary purposes. Thus, for a long time
after the first arrival of Buddhists, the Buddhist priests in China were
foreigners who served foreign merchant colonies. The depressed
conditions of the people in the second century A.D. drove members of the
lower classes into their arms, while the parts of Indian science which
these priests brought with them from India aroused some interest in
certain educated circles. Buddhism, therefore, undeniably exercised an
influence at the end of the Han dynasty, although no Chinese were
priests and few, if any, gentry members were adherents of the religious
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