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Project Gutenberg's Charles Dickens and Music, by James T. Lightwood This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Charles Dickens and Music Author: James T. Lightwood Release Date: August 25, 2005 [EBook #16595] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK CHARLES DICKENS AND MUSIC *** Produced by David Newman, Daniel Emerson Griffith and the Online Distributed Proofreading Team at http://www.pgdp.net [Illustration] TOM PINCH AT THE ORGAN. _Frontispiece._ CHARLES DICKENS AND MUSIC BY JAMES T. LIGHTWOOD AUTHOR OF 'HYMN-TUNES AND THEIR STORY' London CHARLES H. KELLY 25-35 CITY ROAD, AND 26 PATERNOSTER ROW, E.C. _First Edition, 1912_ IN PLEASANT MEMORY OF MANY HAPPY YEARS AT PEMBROKE HOUSE, LYTHAM PREFACE For many years I have been interested in the various musical references in Dickens' works, and have had the impression that a careful examination of his writings would reveal an aspect of his character hitherto unknown, and, I may add, unsuspected. The centenary of his birth hastened a work long contemplated, and a first reading (after many years) brought to light an amount of material far in excess of what I anticipated, while a second examination convinced me that there is, perhaps, no great writer who has made a more extensive use of music to illustrate character and create incident than Charles Dickens. From an historical point of view these references are of the utmost importance, for they reflect to a nicety the general condition of ordinary musical life in England during the middle of the last century. We do not, of course, look to Dickens for a history of classical music during the period--those who want this will find it in the newspapers and magazines; but for the story of music in the ordinary English home, for the popular songs of the period, for the average musical attainments of the middle and lower classes (music was not the correct thing amongst the 'upper ten'), we must turn to the pages of Dickens' novels. It is certainly strange that no one has hitherto thought of tapping this source of information. In and a
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