ntly so,' was the reply. But the
reader must not take him at his word. When Edith (the future
Mrs. Dombey) entered the room and sat down to her harp,
Mr. Dombey rose and stood beside her, listening. He
had little taste for music, and no knowledge of the
strain she played; but he saw her bending over it,
and perhaps he heard among the sounding strings some
distant music of his own.
Yet when she went to the piano and commenced to sing Mr. Dombey
did not know that it was 'the air that his neglected daughter
sang to his dead son'!
_Piano_
Lady musicians are numerous, and of very varied degrees of
excellence. Amongst the pianists is Miss Teresa Malderton, who
nearly fell a prey to that gay deceiver Mr. Horatio Sparkins
(_S.B.T._ 5). Her contribution to a musical evening was
'The Fall of Paris,' played, as Mr. Sparkins declared, in a
masterly manner.
There was a song called 'The Fall of Paris,' but it is most
probable that Dickens was thinking of a very popular piece
which he must have often heard in his young days, of which
the full title was
THE SURRENDER OF PARIS. A characteristic Divertimento
for the Pianoforte, including the events from the Duke
of Wellington and Prince Blucher's marching to that
capital to the evacuation by the French troops and
taking possession by the Allies, composed by Louis
Jansen, 1816.
Not the least curious section of this piece of early programme
music is a _moderato_ recording the various articles of the
capitulation. These are eighteen in number, and each has
its own 'theme.' The interspersion of some discords seems to
imply serious differences of opinion between the parties to
the treaty.
There was also a song called 'The Downfall of Paris,' the
first verse of which was
Great news I have to tell you all,
Of Bonaparte and a' that;
How Paris it has got a fall,
He's lost his plans and a' that.
_Chorus._
Rise up, John Bull, rise up and sing,
Your chanter loudly blaw that;
Lang live our auld and worthy king,
Success to Britain, a' that.
The instrument beloved of Miss Tox (_D. & S._) was the
harpsichord, and her favourite piece was the 'Bird Waltz,' while
the 'Copenhagen Waltz' was also in her repertoire. Two notes of
the instrument were dumb from disuse, but their silence did not
impoverish the rendering. Caddy Jellyby found it necessary to
know something of the piano, in
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