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eman; but he lingered no more through the long sunny morning by her side. He gave up all attempts to educate her. He ceased to tease her about books; he never offered to read to her; and pretty, simple Dora, taught by the keen instinct of love, noted it all. Ronald saw some little change in her. The dimples and smiles had almost vanished from her face. He seldom heard the laugh that had once been so sweet to him. There was retiring grace in her manner that suited her well. He thought she was catching the "tone of good society," and liked the change. Some natures become ennobled under the pressure of adversity; but limited means and petty money cares had no good effect upon Ronald Earle. He fretted under them. He could do nothing as other people did. He could not purchase a magnificent bouquet for the countess; his means would not permit it. He could not afford a horse such as all his gentlemen friends rode. Adversity developed no good qualities in him; the discipline was harder and sterner still that made of him a true man at last. Ronald went on with his painting fitfully, sometimes producing a good picture, but often failing. The greatest patron of the fine arts in Florence was the Prince di Borgezi. His magnificent palace was like one picture gallery. He saw some sketches of Ronald's, and gave an order to him to paint a large picture, leaving him to choose the subject. In vain by night and by day did Ronald ponder on what that subject should be. He longed to make his name immortal by it. He thought once of Tennyson's "Dora," and of sketching his wife for the principal figure. He did make a sketch, but he found that he could not paint Dora's face; he could not place the dimpling smiles and bright blushes on canvas, and they were the chief charm. He therefore abandoned the idea. Standing one day where the sunbeams fell lightly through the thick myrtles, an inspiration came to him. He would paint a picture of Queen Guinevere in her gay sweet youth and bright innocent beauty--Guinevere with her lovely face and golden hair, the white plumes waving and jewels flashing; the bright figure on the milk-white palfrey shining in the mellow sunlight that came through the green trees. Lancelot should ride by her side; he could see every detail of the picture; he knew just the noble, brave, tender face Sir Lancelot should have; but where could he find a model for Guinevere? Where was there a face tha
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