FREE BOOKS

Author's List




PREV.   NEXT  
|<   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107  
108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   >>   >|  
r where the Sun shines through the Glass of the Window, or by shutting the Window that the Sun might shine through the Glass upon the Powder, and by such other fit Means of increasing or decreasing the Lights wherewith the Powder and Paper were illuminated, the Light wherewith the Powder is illuminated may be made stronger in such a due Proportion than the Light wherewith the Paper is illuminated, that they shall both appear exactly alike in Whiteness. For when I was trying this, a Friend coming to visit me, I stopp'd him at the Door, and before I told him what the Colours were, or what I was doing; I asked him, Which of the two Whites were the best, and wherein they differed? And after he had at that distance viewed them well, he answer'd, that they were both good Whites, and that he could not say which was best, nor wherein their Colours differed. Now, if you consider, that this White of the Powder in the Sun-shine was compounded of the Colours which the component Powders (Orpiment, Purple, Bise, and _Viride AEris_) have in the same Sun-shine, you must acknowledge by this Experiment, as well as by the former, that perfect Whiteness may be compounded of Colours. From what has been said it is also evident, that the Whiteness of the Sun's Light is compounded of all the Colours wherewith the several sorts of Rays whereof that Light consists, when by their several Refrangibilities they are separated from one another, do tinge Paper or any other white Body whereon they fall. For those Colours (by _Prop._ II. _Part_ 2.) are unchangeable, and whenever all those Rays with those their Colours are mix'd again, they reproduce the same white Light as before. _PROP._ VI. PROB. II. _In a mixture of Primary Colours, the Quantity and Quality of each being given, to know the Colour of the Compound._ [Illustration: FIG. 11.] With the Center O [in _Fig._ 11.] and Radius OD describe a Circle ADF, and distinguish its Circumference into seven Parts DE, EF, FG, GA, AB, BC, CD, proportional to the seven Musical Tones or Intervals of the eight Sounds, _Sol_, _la_, _fa_, _sol_, _la_, _mi_, _fa_, _sol_, contained in an eight, that is, proportional to the Number 1/9, 1/16, 1/10, 1/9, 1/16, 1/16, 1/9. Let the first Part DE represent a red Colour, the second EF orange, the third FG yellow, the fourth CA green, the fifth AB blue, the sixth BC indigo, and the seventh CD violet. And conceive that these are all the Colours of uncompounded
PREV.   NEXT  
|<   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107  
108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   >>   >|  



Top keywords:
Colours
 

wherewith

 

Powder

 

Whiteness

 

compounded

 

illuminated

 

Colour

 
differed
 

Whites

 
proportional

Window

 

mixture

 

Center

 

Radius

 

Illustration

 
Compound
 

reproduce

 
unchangeable
 

Primary

 

Quantity


Quality

 
yellow
 

fourth

 

orange

 

represent

 

conceive

 

uncompounded

 
violet
 

seventh

 

indigo


Circumference
 

Circle

 
distinguish
 

Musical

 

Number

 

contained

 

Intervals

 

Sounds

 

describe

 

Friend


coming

 

answer

 

viewed

 
distance
 
increasing
 

shutting

 
shines
 

decreasing

 

Lights

 

Proportion