FREE BOOKS

Author's List




PREV.   NEXT  
|<   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84  
85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   >>   >|  
The body of a news story is the place for the reporter's skill and style. He is given all the liberties of ordinary narration and should make the most of every word. His individual style comes into play here. If the interest can be increased by a bit of dialogue the reporter may put it in. If the facts can be presented more effectively by means of direct quotation, the words of any one whom the reporter has interviewed may be of interest. However, these things must not be overworked because every trick of writing loses its effectiveness when it is overworked. Dialogue used only to give facts which might be told more clearly in simple direct form should seldom be used. Dialogue in a news story is used only to color the story and not to reproduce the interviews by which the facts were obtained. In gathering the facts of a story it is sometimes necessary to interview a number of people, but these interviews should not be quoted in the resulting story. Many a green reporter tries to give his story character by telling what the policeman on the corner, the janitor, and a small boy in the street told him about the incident. He succeeds only in dragging out the length of his story and confusing the reader. After all, the purpose of a newspaper is to give facts--and the clearer and the more direct the method the better will be the result. In striving for clearness and interest a reporter must remember that one of his greatest assets is concreteness of expression. Of all forms of composition newspaper writing possesses probably the greatest opportunity for definiteness. Facts and events are its one concern; theories and abstractions are beyond its range. Hence the more definite and concrete its presentation of facts, the better will be its effect. The reporter should never generalize or present his statements hazily and uncertainly--a fact is a fact and must be presented as such. He must try to avoid such expressions as "several," "many," "a few"--it is usually possible to give the exact number. He must continually ask himself "how many?" "what kind?" "exactly when?" "exactly what?" Expressions like "about a dozen," "about thirty years old," "about a week ago," "about a block away," are never so effective as the exact facts and figures. Definite concrete details make a news story real and vivid. The real reporter of news is the one who can see a thing clearly and with every detail and present it as clearly and distinctly.
PREV.   NEXT  
|<   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84  
85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   >>   >|  



Top keywords:

reporter

 
direct
 

interest

 

Dialogue

 
newspaper
 

concrete

 

overworked

 
writing
 

greatest

 

interviews


present

 

number

 

presented

 

concern

 

theories

 
events
 

presentation

 

effect

 

definite

 

abstractions


opportunity
 

remember

 

clearness

 
detail
 

assets

 

concreteness

 

possesses

 

generalize

 

composition

 

expression


definiteness

 

Definite

 

striving

 

thirty

 

Expressions

 
continually
 
distinctly
 

uncertainly

 
figures
 

hazily


statements

 

details

 
effective
 
expressions
 
However
 

things

 
interviewed
 
simple
 
seldom
 

effectiveness