Cathedral used to be open
till one o'clock, free to the public, but the curtains were carefully
drawn over these great works of art; after this hour visitors were
admitted upon the payment of one franc, and the pictures were exhibited.
Doubtless the same regulation is in force now."
A walk of a few moments brought them to the Place Verte, a little park
enclosed, with a colossal statue of Rubens in the centre.
"Everything in Antwerp is Rubens," said the doctor. "The people believe
in him still, and almost worship his memory."
"Why should they? He was only a great painter--was he?" added Paul.
"He was more than that: he was quite distinguished as a statesman and a
diplomatist. He was ambassador to England, Holland, and other countries.
His celebrity as an artist, and his influence with the crowned heads of
several nations, caused him to be regarded with deep interest by the
people. He lived in a splendid mansion, for the immense income which he
derived from his pencil enabled him to support an elegant
establishment. He had a great number of pupils, and at one period in his
career they painted no inconsiderable part of his pictures. He had
orders from all the crowned heads of Europe, and in many of his works he
could only make the designs and give the finishing touches to them. He
was very industrious, and painted rapidly, as he must have done to
produce so many pictures."
"He humbugged his customers then--didn't he?"
"His assistants did only the heavy work, while Rubens furnished the
design, and gave the work its finishing touches. The celebrated
sculptors do not perform all the drudgery of chiselling out a statue.
Wherever you go in Antwerp, you will hear of Rubens. You will find his
works in all the galleries, you will visit his house in the Rue Rubens,
his pictures will be shown to you in every church, and you will see his
tomb in St. Jacques."
"They have Rubens on the brain, as we should say at home," laughed Paul.
"Yes, and they have it badly. From this point you have a good view of
the Cathedral," added the doctor, as they paused near the statue of
Rubens, where they could see the building over the tops of the trees.
"The steeple is very handsome. It is of the most beautiful and delicate
workmanship you will see."
"I should think it would blow down."
"It is banded together with a framework of iron, and the stones are held
together with copper bolts."
"How high is it?" asked Paul, as he gaz
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