f the leaves of the book are painted
with heraldic bearings in diamond-shaped spaces, that of the Felbrigge
family 'Gules, a lion rampant, or' alternately with another 'azure, a
fleur-de-lys, or.' The embroidered sides have been badly damaged by time
and probably more so by repair. The book has been rebound in leather,
the old embroidered back quite done away with, and the worked sides
pulled away from their original boards and ruinously flattened out on
the new ones. After the Felbrigge Psalter no other embroidered binding
has been preserved till we come to one dating about 1536, which is in
satin, and will be described under that head.

_The Miroir or Glasse of the Synneful Soul._ MS. by the
Princess Elizabeth. 1544.

The Princess Elizabeth, afterwards Queen, in her eleventh year, copied
out in her own handwriting the _Miroir or Glasse of the Synneful Soul._
She says it is translated 'out of frenche ryme into english prose,
joyning the sentences together as well as the capacitie of my symple
witte and small lerning coulde extende themselves.' It is also most
prettily dedicated: 'From Assherige, the last daye of the yeare of our
Lord God 1544 ... To our most noble and vertuous Quene Katherin,
Elizabeth her humble daughter wisheth perpetuall felicitie and
everlasting joye.'

The book is now one of the great treasures of the Bodleian Library; it
is bound in canvas, measures about 7 by 5 inches, and was embroidered in
all probability by the hands of the Princess herself. The Countess of
Wilton in her book on the art of needlework says that 'Elizabeth was an
accomplished needlewoman,' and that 'in her time embroidery was much
thought of.' The Rev. W. Dunn Macray in his _Annals of the Bodleian
Library_ considers this binding to be one of 'Elizabeth's bibliopegic
achievements.'

[Illustration: 4--The Miroir or Glasse of the Synneful Soul. MS. by the
Princess Elizabeth. 1544.]

[Illustration: 5--Prayers of Queen Katherine Parr. MS. by the Princess
Elizabeth. 1545.]

The design is the same upon both sides. The ground is all worked over in
a large kind of tapestry-stitch in thick pale blue silk, very evenly and
well done, so well that it has been considered more than once to be a
piece of woven material. On this is a cleverly designed interlacing
scroll-work of gold and silver braid, in the centre of which are the
joined initials K. P.

In each corner is a heartsease worked in thick coloured silks, purple
and yellow