-tree hang on one side a
violet, and on the other a pansy, each worked in the same way as the
rose, and edged with fine gold thread. The back is divided into four
panels, containing respectively a cornflower, a pomegranate, a fruit,
perhaps meant for an apple, and a honeysuckle, all conventionally
treated and very delicately worked. The edge is bound all round with a
strong braid, and there is one tie of broad, cherry-silk ribbon. With
this book is its canvas bag, embroidered in silver ground with
coloured-silk flowers and tassels of silver, the general design and
workmanship of which nearly resembles that of the finer bag already
described at page 16. The silver has turned nearly black, as is usually
the case with these bags.
[Illustration: 45--Psalms. London, 1639.]
[Illustration: 46--The Way to True Happiness. London, 1639.]
_The Way to True Happiness._ London, 1639.
A copy of _The Way to True Happiness_. printed in London in 1639, is
bound in white satin, and embroidered with figures of David and a Queen.
It is a little larger than the majority of the satin-embroidered books,
measuring 7 by 4-1/2 inches, and is, for its time, a very fine specimen.
Both figures stand under an archway with columns, all worked heavily in
silver cord, guimp, and thread. The columns have ornamental capitals and
a spiral running round their shafts, and the upper edge of the arch is
ornamented with crockets of a peculiar shape. Within this archway, on
the upper cover, is a full-length figure of a Queen, finely worked in
split-stitch with coloured silks. She wears a red dress with long,
falling sleeves, a purple body and gold collar. On her head is a golden
crown, with six points. She carries, in her left hand, a golden sceptre,
and has also a golden belt. The outlines are everywhere marked either
with a gold or silver twist. On the ground, which is in small hillocks,
grow a strawberry and two other small plants; a snail is also shown.
Scattered about the field are a 'skeleton' caterpillar--at one time
probably filled in with peacocks' feathers,--a conventional lily, a
butterfly, and the sun, with rays, just appearing from under a cloud. In
the two upper corners are flowers, a pansy and another, and smaller ones
down each side.
On the lower board, within the arch, is a figure of David. He wears a
short tunic of orange and silver, with vandyked edge, and a short skirt
of blue and silver, with a long cloak of cream, pink, and silv
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