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-tree hang on one side a violet, and on the other a pansy, each worked in the same way as the rose, and edged with fine gold thread. The back is divided into four panels, containing respectively a cornflower, a pomegranate, a fruit, perhaps meant for an apple, and a honeysuckle, all conventionally treated and very delicately worked. The edge is bound all round with a strong braid, and there is one tie of broad, cherry-silk ribbon. With this book is its canvas bag, embroidered in silver ground with coloured-silk flowers and tassels of silver, the general design and workmanship of which nearly resembles that of the finer bag already described at page 16. The silver has turned nearly black, as is usually the case with these bags. [Illustration: 45--Psalms. London, 1639.] [Illustration: 46--The Way to True Happiness. London, 1639.] _The Way to True Happiness._ London, 1639. A copy of _The Way to True Happiness_. printed in London in 1639, is bound in white satin, and embroidered with figures of David and a Queen. It is a little larger than the majority of the satin-embroidered books, measuring 7 by 4-1/2 inches, and is, for its time, a very fine specimen. Both figures stand under an archway with columns, all worked heavily in silver cord, guimp, and thread. The columns have ornamental capitals and a spiral running round their shafts, and the upper edge of the arch is ornamented with crockets of a peculiar shape. Within this archway, on the upper cover, is a full-length figure of a Queen, finely worked in split-stitch with coloured silks. She wears a red dress with long, falling sleeves, a purple body and gold collar. On her head is a golden crown, with six points. She carries, in her left hand, a golden sceptre, and has also a golden belt. The outlines are everywhere marked either with a gold or silver twist. On the ground, which is in small hillocks, grow a strawberry and two other small plants; a snail is also shown. Scattered about the field are a 'skeleton' caterpillar--at one time probably filled in with peacocks' feathers,--a conventional lily, a butterfly, and the sun, with rays, just appearing from under a cloud. In the two upper corners are flowers, a pansy and another, and smaller ones down each side. On the lower board, within the arch, is a figure of David. He wears a short tunic of orange and silver, with vandyked edge, and a short skirt of blue and silver, with a long cloak of cream, pink, and silv
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