he result being somewhat
similar in effect to that of a glass or marble mosaic, each little
stitch being nearly square and of an uniform colour. The designers of
these embroideries do not appear to have had a very fertile imagination,
as again and again the same subject is represented. Perhaps the most
favourite of all is Jacob wrestling with the angel; of figure subjects
'Faith and Hope' are the most frequently met with, but 'Peace and
Plenty' are also common enough.
[Illustration: 6--Christian Prayers. London, 1581.]
_Christian Prayers._ London, 1581.
A _Book of Christian Prayers_ with illustrated borders, printed in
London in 1581, is bound in coarse canvas worked in tapestry-stitch in
colours, and measures 7 by 5 inches. The same design is on each side--a
kind of flower-basket in two stories, out of the lower part of which,
rectangular in shape, grow two branches, one with lilies and another
with white flowers, and out of the upper, oval in shape, rise two sprays
of roses, one white the other red.
In the lower corners are a large lily, a blue flower, and a large
double-rose spray. All the design is outlined with silver cord or
thread, and the veinings of the leaves are indicated in the same way.
There are remains of two green velvet ties on the front edges of each of
the boards. The back is not divided into panels, but has a design upon
it of the letters E and S repeated five times. The edges are gilt and
gauffred.
_Psalms and Common Praier._ London, 1606-7.
During the seventeenth century little 'double' books were rather
favourite forms for Common Prayer and Psalms especially. These curious
bindings open opposite ways and have two backs, two ornamental boards,
and one unornamented board enclosed between the two books, which are
always of the same size.
There are several instances where embroidered books have been bound in
this way, the earliest I know being a copy of the Psalms and Common
Prayer, printed in 1606-7.
This is bound in canvas, and measures 3-1/4 by 2 inches, each side
having the same design embroidered on each of the ornamented sides and
backs. The flowers and leaves are worked in long straight stitches in
coloured silks, outlined with silver twist. A large pansy plant occupies
the place of honour, growing out of a small green mound, from which also
spring two short plants with five-petalled yellow flowers. The main
stems and ribs of the leaves are made with strong silver twist. R
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