na, the famous
violin Romance in F, Op. 50, one of the highest possible testimonials to
Rode's ability as a violinist. It is known, however, that he was obliged
to seek assistance in scoring his own compositions, and therefore lacked
an important part of a musical education.

The most celebrated pupil of Baillot was Francois Antoine Habeneck, the
son of a musician in a French regimental band. During his early youth
Habeneck was taught by his father, and at the age of ten played
concertos in public. He visited many places with his father's regiment,
which was finally stationed at Brest. At the age of twenty he went to
Paris and entered the Conservatoire, where in 1804 he was awarded first
prize for violin playing, and became a sub-professor.

The Empress Josephine, on hearing him play, was so pleased that she
granted him a pension of twelve hundred francs. He became one of the
first violins at the Opera, but his special forte was as leader of
orchestras, and he held that post at the Conservatoire, on account of
his efficiency, until 1815, when the advent of the allied armies caused
it to be closed.

Habeneck was instrumental in bringing forward the great orchestral works
of Beethoven. He became director of the Grand Opera, and
inspector-general of the Conservatoire.

Habeneck is said to have been greatly addicted to taking snuff, and this
habit led to an amusing episode with Berlioz, which the latter regarded
in a very unfriendly light. At a public performance of the Requiem of
Berlioz, the composer had arranged with Habeneck to conduct the music,
Berlioz taking his seat close behind the conductor. The work was
commenced, and had been proceeded with some little time, when Habeneck
(presumably taking advantage of what seemed to him a favourable moment)
placed his baton on the desk, took out his snuff-box, and proceeded to
take a pinch. Berlioz, aware of the breakers ahead, rushed to the helm
and saved the wreck of his composition by beating time with his arm.
Habeneck, when the danger was passed, said, "What a cold perspiration I
was in! Without you we should assuredly have been lost." "Yes," said
the composer, "I know it well," accompanying his words with an
expression of countenance betokening suspicion of Habeneck's honesty of
purpose. The violinist little dreamed that this gratification of his
weakness for snuff-taking would be regarded in the pages of Berlioz's
Memoirs as having been indulged in from base motives