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a little girl, Catarina Calcagno, to whom he gave lessons on the violin. She was then about seven years of age, and a few years later she became well known as a concert violinist. Paganini did not remain long in Genoa, for the following year found him wandering again, and another love affair in Lucca led to the composition of a piece to be played on two strings, the first and the fourth: the first to express the sentiments of a young girl, and the fourth the passionate language of her lover. The performance of this extremely expressive composition was rewarded by the most languishing glances from his lady-love in the audience, but the most important result was that the Princess Elise Bacchiochi, sister of Napoleon, declared to him that he had performed impossibilities. "Would not a single string suffice for your talent?" she asked. Paganini was delighted, and shortly afterward composed his military sonata entitled "Napoleon," which is performed on the G string only. At Ferrara he once nearly lost his life through unwittingly trampling upon the susceptibilities of the people, in the following manner. It appears that the peasantry in the suburbs of Ferrara bore ill-will toward the citizens of that town and called them "asses." This little pleasantry was manifested by the suburbanites in "hee-hawing" at the citizens when fitting opportunity presented itself. Now it happened that Paganini played at a concert, and some of the audience expressed dissatisfaction with the singer, Madame Pallerini, and hissed her. Paganini decided to have revenge, and when about to commence his last solo, he amused the public by giving an imitation of the notes and cries of various animals. The chirping of various birds, the crowing of the chanticleer, the mewing of cats, the barking of dogs were all imitated and the audience was delighted. Now was the time to punish the reprobates who hissed. Paganini advanced to the footlights exclaiming, "This for the men who hissed," and gave a vivid imitation of the braying of an ass. Instead of exciting laughter and thus causing the confusion of the enemy as he expected, the whole audience rose as one man, scaled the orchestra and footlights, and swore they would have his blood. Paganini sought safety in flight. He was eventually enlightened as to the mistake he had made. Once, when he was at Naples, Paganini was taken ill, and in his desire to secure lodgings where the conditions would be favourable
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