a little girl, Catarina Calcagno,
to whom he gave lessons on the violin. She was then about seven years of
age, and a few years later she became well known as a concert violinist.
Paganini did not remain long in Genoa, for the following year found him
wandering again, and another love affair in Lucca led to the composition
of a piece to be played on two strings, the first and the fourth: the
first to express the sentiments of a young girl, and the fourth the
passionate language of her lover. The performance of this extremely
expressive composition was rewarded by the most languishing glances from
his lady-love in the audience, but the most important result was that
the Princess Elise Bacchiochi, sister of Napoleon, declared to him that
he had performed impossibilities. "Would not a single string suffice for
your talent?" she asked. Paganini was delighted, and shortly afterward
composed his military sonata entitled "Napoleon," which is performed on
the G string only.
At Ferrara he once nearly lost his life through unwittingly trampling
upon the susceptibilities of the people, in the following manner. It
appears that the peasantry in the suburbs of Ferrara bore ill-will
toward the citizens of that town and called them "asses." This little
pleasantry was manifested by the suburbanites in "hee-hawing" at the
citizens when fitting opportunity presented itself. Now it happened that
Paganini played at a concert, and some of the audience expressed
dissatisfaction with the singer, Madame Pallerini, and hissed her.
Paganini decided to have revenge, and when about to commence his last
solo, he amused the public by giving an imitation of the notes and cries
of various animals. The chirping of various birds, the crowing of the
chanticleer, the mewing of cats, the barking of dogs were all imitated
and the audience was delighted. Now was the time to punish the
reprobates who hissed. Paganini advanced to the footlights exclaiming,
"This for the men who hissed," and gave a vivid imitation of the braying
of an ass. Instead of exciting laughter and thus causing the confusion
of the enemy as he expected, the whole audience rose as one man, scaled
the orchestra and footlights, and swore they would have his blood.
Paganini sought safety in flight. He was eventually enlightened as to
the mistake he had made.
Once, when he was at Naples, Paganini was taken ill, and in his desire
to secure lodgings where the conditions would be favourable
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