the social song.
In Belgium, female industry presents itself under aspects alike
interesting to the painter, the poet, and the philanthropist. Here
and there may be seen a happy-looking girl, seated at an open window,
turning her spinning-wheel or working at her lace-pillow, whilst at
intervals she indulges in the relaxation of a curious gaze at the
passers-by in the street. Another young _Speldewerkster_, more
sentimentally disposed, will retire into the garden, seating herself
in an umbrageous arbor, or under a spreading tree, her eyes intent
on her work, but her thoughts apparently divided between it and
some object nearer to her heart. At a doorway sits a young mother,
surrounded by two or three children playing round the little table or
wooden settle on which her lace-pillow rests. Whilst the mother's busy
fingers are thus profitably employed, her eyes keep watch over the
movements of her little ones, and she can at the same time spare an
attentive thought for some one of her humble household duties.
Dressmakers, milliners, and other females employed in the various
occupations which minister to the exigencies of fashion, are confined
to close rooms, surrounded by masses of silk, muslin, &c. They are
debarred the healthful practice of working in the open air, and can
scarcely venture even to sit at an open window, because a drop of
rain or a puff of wind may be fatal to their work and its materials.
The lace-maker, on the contrary, whose work requires only her thread
and her fingers, is not disturbed by a refreshing breeze or a light
shower; and even when the weather is not particularly fine, she
prefers sitting at her street-door or in her garden, where she enjoys
a brighter light than within doors.
In most of the principal towns of the Netherlands there is one
particular locality which is the focus of lace-making industry; and
there, in fine weather, the streets are animated by the presence of
the busy work-women. In each of these districts there is usually one
wide open street which the _Speldewerkers_ prefer to all others, and
in which they assemble and form themselves into the most picturesque
groups imaginable. It is curious to observe them, pouring out
of narrow lanes and alleys, carrying with them their chairs and
lace-pillows, to take their places in the wide open street, where they
can enjoy more of bright light and fresh air than in their own places
of abode.
"I could not help contrasting," says
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