stnut-trees, divides the village church-yard from the grounds
of the Duke de Gramont. On that breezy height, overlooking the
magnificent plain that stretches between St. Germain and Paris, a
mausoleum has been erected worthy of containing the mortal remains of
her whom genius and talent had delighted to honor--
"Whom Lawrence painted and whom Byron sung!"
A pyramid composed of large blocks of white stone, and similar in
form to the ancient monuments of Egypt, rises from a platform of solid
black granite, which has been completely isolated from the surrounding
surface by a deep dry moat, whose precipitous slopes are clothed with
softest greenest turf. A bronze railing incloses the whole, within
which has been planted a broad belt of beautiful evergreens and
flowering shrubs; and beyond these the lofty chestnut trees "wave in
tender gloom," and form a leafy canopy to shelter that lonely tomb
from the winds of heaven. Solid, simple, and severe, it combines every
requisite in harmony with its solemn destination; no meretricious
ornaments, no false sentiment, mar the purity of its design. The
genius which devised it has succeeded in cheating the tomb of its
horrors, without depriving it of its imposing gravity. The simple
portal is surmounted by a plain massive cross of stone, and a door,
secured by an open work of bronze, leads into a sepulchral chamber,
the key of which had been confided to me.
All within breathes the holy calm of eternal repose; no gloom, no
mouldering damp, nothing to recall the dreadful images of decay. An
atmosphere of peace appears to pervade the place, and I could almost
fancy that a voice from the tomb whispered, in the words of Dante's
Beatrice--
"Io sono in pace!"
The light of the sun, streaming through a glazed aperture above
the door, fell like a ray of heavenly hope upon the symbol of man's
redemption--a beautiful copy, in bronze, of Michael Angelo's crucified
Savior--which is affixed to the wall facing the entrance. A simple
stone sarcophagus is placed on either side of the chamber, each one
surmounted by two white marble tablets, incrusted in the sloping
walls. That to the left incloses the coffin of Lady Blessington--that
to the right is still untenanted; long may it remain so!
The affection she most valued, the genius and talent she most admired,
have contributed to do honor to the memory of that gifted woman. Her
sepulchre is the creation of Alfred d'Orsay, her epitaphs ar
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