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Fontenelle, Montesquieu, Mairan, Helvetius who was then quite young and present rather as a hearer than a speaker, Marivaux and Astruc, formed the nucleus of this clever society and led the conversation. Marmontel, who was not well suited to this society, in which more real knowledge and a deeper train of thought was called for than he possessed, informs us what the tone of this society was, and speaks of their hunting after lively conceits and brilliant flashes of wit, in a somewhat contemptuous manner. Marmontel, however, himself admits, that he was only once in the society, and that in order to read his 'Aristomenes,' and that greater simplicity and good humor prevailed there than in the house of Madame Geoffrin, in which he was properly at home. Madame de Tencin's influence upon the new literature of the opposition party, or rather upon the spirit of the age, may be best judged of from the fact, that she largely contributed to the first preparation and favorable reception of Montesquieu's "Spirit of Laws." It is certain, at least, that she bought a large number of copies and distributed them amongst her friends. Madame Geoffrin went further; the society which had previously met at Madame de Tencin's, no sooner held their reunions in her house, than she drew together the whole literary and the fashionable world, foreign ministers, noblemen and princes who were on their travels, etc. Marmontel also says, that the aged Madame de Tencin had guessed quite correctly the intentions of Madame Geoffrin, when she said, that she merely came to her house so often in order to see what part of her inventory she could afterward make useful. Madame Geoffrin became celebrated all over Europe, merely by devoting a portion of her income and of her time to the reception of clever society. She had neither the knowledge, the mind, nor the humility of Madame de Tencin, which the latter at least affected toward the close of her life; she was cold, egotistical, calculating, and brought into her circle nothing more than order, tact and female delicacy. Geoffrin also assumed the tone of high life, which always treats men of learning, poets and artists, as if they were mantua-makers or hair-dressers; and which must ever value social tact and the tone which is only to be acquired in good society, higher than all studies and arts upon which any one possessed of these properties is in a condition to pass judgment without having spent any tim
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