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meat and green vegetables in it were Belgian and the peas American. Steaming hot in big cans it was sent to the communal centres, where lines of people with pots, pitchers, and pails waited to receive their daily allowance. A democracy was in that bread-line such as I have never seen anywhere except at San Francisco after the earthquake. Each person had a blue or a yellow ticket, with numbers to be punched, like a commuter. The blue tickets were for those who had proved to the communal authorities that they could not pay; the yellow for those who paid five centimes for each person served. A flutter of blue and yellow tickets all over Belgium, and in return life I With each serving of soup went a loaf of the American brown bread. The faces in the line were not those of people starving--they had been saved from starvation. There was none of the emaciation which pictures of famine in the Orient have made familiar; but they were pinched faces, bloodless faces, the faces of people on short rations. To the Belgian bread is not only the staff of life; it is the legs. At home we think of bread as something that goes with the rest of the meal; to the poorer classes of Belgians the rest of the meal is something that goes with bread. To you and me food has meant the payment of money to the baker and the butcher and the grocer, or the hotel- keeper. You get your money by work or from investments. What if there were no bread to be had for work or money? Sitting on a mountain of gold in the desert of Sahara would not quench thirst. Three hundred grammes, a minimum calculation--about half what the British soldier gets--was the ration. That small boy sent by his mother got five loaves; his ticket called for an allowance for a family of five. An old woman got one loaf, for she was alone in the world. Each one as he hurried by had a personal story of what war had meant to him. They answered your questions frankly, gladly, with the Belgian cheerfulness which was amazing considering the circumstances. A tall, distinguished-looking man was an artist. "No work for artists these days," he said. No work in a community of workers where every link of the chain of economic life had been broken. No work for the next man, a chauffeur, or the next, a brass worker; the next, a teamster; the next, a bank clerk; the next, a doorkeeper of a Government office; whilst the wives of those who still had work were buying in the only market they had.
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