OF SPENSER'S POETRY. The five main qualities of Spenser's
poetry are (1) a perfect melody; (2) a rare sense of beauty; (3) a splendid
imagination, which could gather into one poem heroes, knights, ladies,
dwarfs, demons and dragons, classic mythology, stories of chivalry, and the
thronging ideals of the Renaissance,--all passing in gorgeous procession
across an ever-changing and ever-beautiful landscape; (4) a lofty moral
purity and seriousness; (5) a delicate idealism, which could make all
nature and every common thing beautiful. In contrast with these excellent
qualities the reader will probably note the strange appearance of his lines
due to his fondness for obsolete words, like _eyne_ (eyes) and _shend_
(shame), and his tendency to coin others, like _mercify_, to suit his own
purposes.
It is Spenser's idealism, his love of beauty, and his exquisite melody
which have caused him to be known as "the poets' poet." Nearly all our
subsequent singers acknowledge their delight in him and their indebtedness.
Macaulay alone among critics voices a fault which all who are not poets
quickly feel, namely that, with all Spenser's excellences, he is difficult
to read. The modern man loses himself in the confused allegory of the
_Faery Queen_, skips all but the marked passages, and softly closes the
book in gentle weariness. Even the best of his longer poems, while of
exquisite workmanship and delightfully melodious, generally fail to hold
the reader's attention. The movement is languid; there is little dramatic
interest, and only a suggestion of humor. The very melody of his verses
sometimes grows monotonous, like a Strauss waltz too long continued. We
shall best appreciate Spenser by reading at first only a few well-chosen
selections from the _Faery Queen_ and the _Shepherd's Calendar_, and a few
of the minor poems which exemplify his wonderful melody.
COMPARISON BETWEEN CHAUCER AND SPENSER. At the outset it is well to
remember that, though Spenser regarded Chaucer as his master, two centuries
intervene between them, and that their writings have almost nothing in
common. We shall appreciate this better by a brief comparison between our
first two modern poets.
Chaucer was a combined poet and man of affairs, with the latter
predominating. Though dealing largely with ancient or mediaeval material, he
has a curiously modern way of looking at life. Indeed, he is our only
author preceding Shakespeare with whom we feel thoroughly at
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