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OF SPENSER'S POETRY. The five main qualities of Spenser's poetry are (1) a perfect melody; (2) a rare sense of beauty; (3) a splendid imagination, which could gather into one poem heroes, knights, ladies, dwarfs, demons and dragons, classic mythology, stories of chivalry, and the thronging ideals of the Renaissance,--all passing in gorgeous procession across an ever-changing and ever-beautiful landscape; (4) a lofty moral purity and seriousness; (5) a delicate idealism, which could make all nature and every common thing beautiful. In contrast with these excellent qualities the reader will probably note the strange appearance of his lines due to his fondness for obsolete words, like _eyne_ (eyes) and _shend_ (shame), and his tendency to coin others, like _mercify_, to suit his own purposes. It is Spenser's idealism, his love of beauty, and his exquisite melody which have caused him to be known as "the poets' poet." Nearly all our subsequent singers acknowledge their delight in him and their indebtedness. Macaulay alone among critics voices a fault which all who are not poets quickly feel, namely that, with all Spenser's excellences, he is difficult to read. The modern man loses himself in the confused allegory of the _Faery Queen_, skips all but the marked passages, and softly closes the book in gentle weariness. Even the best of his longer poems, while of exquisite workmanship and delightfully melodious, generally fail to hold the reader's attention. The movement is languid; there is little dramatic interest, and only a suggestion of humor. The very melody of his verses sometimes grows monotonous, like a Strauss waltz too long continued. We shall best appreciate Spenser by reading at first only a few well-chosen selections from the _Faery Queen_ and the _Shepherd's Calendar_, and a few of the minor poems which exemplify his wonderful melody. COMPARISON BETWEEN CHAUCER AND SPENSER. At the outset it is well to remember that, though Spenser regarded Chaucer as his master, two centuries intervene between them, and that their writings have almost nothing in common. We shall appreciate this better by a brief comparison between our first two modern poets. Chaucer was a combined poet and man of affairs, with the latter predominating. Though dealing largely with ancient or mediaeval material, he has a curiously modern way of looking at life. Indeed, he is our only author preceding Shakespeare with whom we feel thoroughly at
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