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y significant detail. So with the nurse in _Romeo and Juliet_, whose endless gossip and vulgarity cannot quite hide a kind heart. She is simply the reflection of some forgotten nurse with whom Shakespeare had talked by the wayside. Not only the gossip but also the dreams, the unconscious poetry that sleeps in the heart of the common people, appeal tremendously to Shakespeare's imagination and are reflected in his greatest plays. Othello tries to tell a curt soldier's story of his love; but the account is like a bit of Mandeville's famous travels, teeming with the fancies that filled men's heads when the great round world was first brought to their attention by daring explorers. Here is a bit of folklore, touched by Shakespeare's exquisite fancy, which shows what one boy listened to before the fire at Halloween: She comes In shape no bigger than an agate-stone On the fore-finger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep; Her waggon-spokes made of long spinners' legs, The cover of the wings of grasshoppers, The traces of the smallest spider's web, The collars of the moonshine's watery beams, Her whip of cricket's bone, the lash of film, Her waggoner a small grey-coated gnat, * * * * * Her chariot is an empty hazel nut Made by the joiner squirrel, or old grub, Time out o' mind the fairies' coachmakers. And in this state she gallops night by night Through lovers' brains, and then they dream of love; * * * * * O'er lawyers' fingers, who straight dream on fees, O'er ladies' lips, who straight on kisses dream.[146] So with Shakespeare's education at the hands of Nature, which came from keeping his heart as well as his eyes wide open to the beauty of the world. He speaks of a horse, and we know the fine points of a thoroughbred; he mentions the duke's hounds, and we hear them clamoring on a fox trail, their voices matched like bells in the frosty air; he stops for an instant in the sweep of a tragedy to note a flower, a star, a moonlit bank, a hilltop touched by the sunrise, and instantly we know what our own hearts felt but could not quite express when we saw the same thing. Because he notes and remembers every significant thing in the changing panorama of earth and sky, no other writer has ever approa
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