rt, and provoked perpetual laughter from his awkwardness and
lameness. He forged the thunderbolts for Zeus, and was the armorer of
heaven. It accorded with the grim humor of the poets to make this clumsy
blacksmith the husband of Aphrodite, the queen of beauty and of love.

Ares (Roman Mars), the god of war, was represented as cruel, lawless,
and greedy of blood, and as occupying a subordinate position, receiving
orders from Apollo and Athene.

Hermes (Roman Mercury) was the impersonation of commercial dealings, and
of course was full of tricks and thievery,--the Olympian man of
business, industrious, inventive, untruthful, and dishonest. He was also
the god of eloquence.

Besides these six great male divinities there were six goddesses, the
most important of whom was Hera (Roman Juno), wife of Zeus, and hence
the Queen of Heaven. She exercised her husband's prerogatives, and
thundered and shook Olympus; but she was proud, vindictive, jealous,
unscrupulous, and cruel,--a poor model for women to imitate. The Greek
poets, however, had a poor opinion of the female sex, and hence
represent this deity without those elements of character which we most
admire in woman,--gentleness, softness, tenderness, and patience. She
scolded her august husband so perpetually that he gave way to complaints
before the assembled deities, and that too with a bitterness hardly to
be reconciled with our notions of dignity. The Roman Juno, before the
identification of the two goddesses, was a nobler character, being the
queen of heaven, the protectress of virgins and of matrons, and was also
the celestial housewife of the nation, watching over its revenues and
its expenses. She was the especial goddess of chastity, and loose women
were forbidden to touch her altars.

Athene (Roman Minerva) however, the goddess of wisdom, had a character
without a flaw, and ranked with Apollo in wisdom. She even expostulated
with Zeus himself when he was wrong. But on the other hand she had few
attractive feminine qualities, and no amiable weaknesses.

Artemis (Roman Diana) was "a shadowy divinity, a pale reflection of her
brother Apollo." She presided over the pleasures of the chase, in which
the Greeks delighted,--a masculine female who took but little interest
in anything intellectual.

Aphrodite (Roman Venus) was the impersonation of all that was weak and
erring in the nature of woman,--the goddess of sensual desire, of mere
physical beauty, silly, child