e Monthly Magazine and American Review," begun in New York in
the spring of 1798, and ending in the autumn of 1800; and "The Literary
Magazine and American Register," which was established in Philadelphia
in 1803--It was for this periodical that Mr. Brown, who visited Irving
in that year, sought in vain to enlist the service of the latter, who,
then a youth of nineteen, had a little reputation as the author of some
humorous essays in the "Morning Chronicle" newspaper.

Charles Brockden Brown died, the victim of a lingering consumption,
in 1810, at the age of thirty-nine. In pausing for a moment upon his
incomplete and promising career, we should not forget to recall the
strong impression he made upon his contemporaries as a man of genius,
the testimony to the charm of his conversation and the goodness of
his heart, nor the pioneer service he rendered to letters before the
provincial fetters were at all loosened.

The advent of Cooper, Bryant, and Halleck was some twenty years after
the recognition of Irving; but thereafter the stars thicken in our
literary sky, and when in 1832 Irving returned from his long sojourn in
Europe, he found an immense advance in fiction, poetry, and historical
composition. American literature was not only born,--it was able to go
alone. We are not likely to overestimate the stimulus to this movement
given by Irving's example, and by his success abroad. His leadership
is recognized in the respectful attitude towards him of all his
contemporaries in America. And the cordiality with which he gave help
whenever it was asked, and his eagerness to acknowledge merit in others,
secured him the affection of all the literary class, which is popularly
supposed to have a rare appreciation of the defects of fellow craftsmen.

The period from 1830 to 1860 was that of our greatest purely literary
achievement, and, indeed, most of the greater names of to-day were
familiar before 1850. Conspicuous exceptions are Motley and Parkman and
a few belles-lettres writers, whose novels and stories mark a distinct
literary transition since the War of the Rebellion. In the period from
1845 to 1860, there was a singular development of sentimentalism; it had
been, growing before, it did not altogether disappear at the time
named, and it was so conspicuous that this may properly be called the
sentimental era in our literature. The causes of it, and its relation to
our changing national character, are worthy the study of t