tonecraft was the leader.
The period of social and political ferment during which "Alcuin" was put
forth was not unlike that which may be said to have reached its height
in extravagance and millennial expectation in 1847-48. In "Alcuin" are
anticipated most of the subsequent discussions on the right of women
to property and to self-control, and the desirability of revising the
marriage relation. The injustice of any more enduring union than that
founded upon the inclination of the hour is as ingeniously urged in
"Alcuin" as it has been in our own day.

Mr. Brown's reputation rests upon six romances: "Wieland," "Ormond,"
"Arthur Mervyn," "Edgar Huntly," "Clara Howard," and "Jane Talbot." The
first five were published in the interval between the spring of 1798
and the summer of 1801, in which he completed his thirtieth year.
"Jane Talbot" appeared somewhat later. In scenery and character,
these romances are entirely unreal. There is in them an affectation of
psychological purpose which is not very well sustained, and a somewhat
clumsy introduction of supernatural machinery. Yet they have a power of
engaging the attention in the rapid succession of startling and
uncanny incidents and in adventures in which the horrible is sometimes
dangerously near the ludicrous. Brown had not a particle of humor. Of
literary art there is little, of invention considerable; and while the
style is to a certain extent unformed and immature, it is neither feeble
nor obscure, and admirably serves the author's purpose of creating what
the children call a "crawly" impression. There is undeniable power in
many of his scenes, notably in the descriptions of the yellow fever
in Philadelphia, found in the romance of "Arthur Mervyn." There is,
however, over all of them a false and pallid light; his characters are
seen in a spectral atmosphere. If a romance is to be judged, not by
literary rules, but by its power of making an impression upon the mind,
such power as a ghastly story has, told by the chimney-corner on a
tempestuous night, then Mr. Brown's romances cannot be dismissed without
a certain recognition. But they never represented anything distinctively
American, and their influence upon American literature is scarcely
discernible.

Subsequently Mr. Brown became interested in political subjects, and
wrote upon them with vigor and sagacity. He was the editor of two
short-lived literary periodicals which were nevertheless useful in their
day: "Th