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ke all Gaul, and as my business opportunities--Midas forgive them!--have all come out of my social contacts, I'll have to begin with them. Maltby's the golden key to the first part; Mr. Heywood Sampson, the great old-school publisher and editor-author, is the iron key to the second; and chance--our settling down here on the fringes of Greenwich Village--is the skeleton key to the third. "I seem to be getting all Gaul mixed up with Bluebeard's closets and things, but I'll try to straighten my kinky metaphors out for you, Jimmy, if it takes me all night. But I assume you're more or less up to date on me, since I find you all most brazenly hand me round, and since I wrote Phil--and got severely scolded in return; deserved it, too--all about Maltby's patiently snubbing me as a starving author and impatiently rushing me as a possible member for his Emancipated Order of AEsthetic May-Flies--I call it his, for he certainly thinks of it that way. Now--Maltby and I have not precisely quarreled, but the north wind doth blow and we've already had snow enough to cool his enthusiasm. The whole thing's unpleasant; but I've learned something. Result--my occasional flutterings among the AEsthetic May-Flies grow beautifully less. They'd cease altogether if I hadn't made friends--to call them that--with a May-Fly or two. "One of them's the novelist, Clifton Young, a May-Fly at heart--but there's a strain of Honeybee in his blood somewhere. It's an unhappy combination--all the talents and few of the virtues; but I like him in spite of himself. For one thing, he doesn't pose; and he can _write_! He's a lost soul, though--thinks life is a tragic farce. Almost all the May-Flies try to think that; it's a sort of guaranty of the last sophistication; but it's genuine with Clifton, he must have been born thinking it. He doesn't ask for sympathy, either; if he did, I couldn't pity him--and get jeered at wittily for my pains! "Then there's Mona Leslie, who might have been a true Honeybee if everybody belonging to her hadn't died too soon, leaving her hopeless numbers of millions. Mona, for some reason, has taken a passing fancy to me; all her fancies pass. She sings like an angel, and might have made a career--if it had seemed worth while. It never has. Nothing has, but vivid sensation--from ascetic religion to sloppy love; and, at thirty, she's exhausted the whole show. So she spends her time now in a mad duel with boredom. Poor woman! Luck
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