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are not many to be seen to-day. Dogs know how to behave now, and there is no need for them. As their name implies, the gates were used to keep the dogs of the house from wandering upstairs into bedrooms and other places where they had no right. But many people like to hear their dogs scratching at the door in the morning. The gates shown in our photograph are in excellent condition. They were photographed by Mr. S. H. Wrightson, of Aldershot. [Illustration: CRICKET & CRICKETERS] _Pictures by Mr. "Rip."_ _Words by M. Randall Roberts_ Why is it, in these days of up-to-date cricket reporting, no one has noticed the most striking characteristic of Ranjitsinhji's play? The pose of W. G. Grace's tip-tilted foot as he stands at the wicket, Abel's serio-comic expression as he cocks his eye and ambles from the pavilion, and Mr. Key's rotundity, are as familiar as Mr. Chamberlain's eye-glass even to the non-cricketing public; but the ballooning of Prince Ranjitsinhji's silk shirt has hitherto been allowed to lie in obscurity. About the silk shirt itself there is no particular mystery; dozens of other cricketers wear one exactly like it; but none of these garments "balloon" with the same unvarying persistence as Ranji's. Whether half a gale is blowing on the Hove ground, or there is not enough wind to move the flag at Lord's, the Indian prince's cricket shirt always presents the appearance of the mainsail of a six-tonner on a breezy day in the Solent. Anyone can satisfy himself as to the truth of this assertion by glancing at the first illustration on page 213. The batsman's face is concealed by his arm, and his attitude in playing the ball is almost identical with that of hundreds of other cricketers. Yet there is no mistaking the player. It's Ranji as plainly as if his name was printed all over it; the curve in his shirt gives him away at once. Unkind critics, indeed, declared that the secret of his success in Australia was that, while the rest of Mr. Stoddart's team were panting for a breath of fresh air with the thermometer at 100 deg. in the shade, some mysterious Indian deity was perpetually blowing on Ranji with a thousand cooling zephyrs. Nowadays, Ranjitsinhji's critics are becoming more sane; but when first he burst into splendour, many of his weird strokes were attributed to some supernatural agency. Ranji's most telling stroke, as every cricketer knows, is what is technically known as the "hoo
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