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and handed the journalist a telegram and withdrew. "Ah, now I shall get some explanation of all this mystery! This should come from the King.... Has he got my name?... No!... the Duke of Haworth ... evidently the name of the individual I am supposed to represent." Fandor tore open the telegram and then stared in surprise. Not one word of it could he make out. It was in cipher! "Why the deuce was this given to me!... what does the whole thing mean? Is it possible they take me for...." CHAPTER V BY THE SINGING FOUNTAINS Paris rises very late indeed on New Year's Day. The night before is given up to family reunions, supper parties and every kind of jollification. So the year begins with a much needed rest. The glitter and racket of the streets gives place to a death-like stillness. Shops are shut and the cafes are empty. Paris sleeps. There is an exception to this rule: Certain unfortunate individuals are obliged to rise at day-break, don their best clothes, their uniforms and make their way to the four corners of the town to pay ceremonial calls. These are the Government officials representing the army, the magistracy, the parliament, the municipality--all must pay their respects to their chiefs. For this hardship they receive little sympathy, as it is generally understood that while they have to work hard on New Year's Day, they do nothing for the rest of the year. The somnolence of Paris, however, only extends until noon. At that hour life begins again. It is luncheon time. This New Year's Day differed in no wise from others, and during the afternoon the streets were thronged with people. A pale sun showed in the gray winter sky and the crowd seemed to be converging toward the Place de la Concorde. Suddenly the blare of a brass band on the Rue Royale brought curious heads to the windows. A procession headed by a vari-colored banner was marching toward the banks of the Seine. The participants wore a mauve uniform with gold trimmings and upon the banner was inscribed in huge letters: LA CAPITALE THE GREAT EVENING PAPER With some difficulty the musicians reached the Obelisk and at the foot of the monument they formed a circle, while at a distance the crowd awaited developments. In the front rank two young women were standing. One of them seemed to be greatly amused at the gratuitous entertainment, the other appeared preoccupied and depressed. "Come, Marie Pascal, do
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