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The Project Gutenberg EBook of Representative Plays by American Dramatists: 1856-1911: Rip van Winkle by Charles Burke This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Representative Plays by American Dramatists: 1856-1911: Rip van Winkle Author: Charles Burke Release Date: December 18, 2007 [Ebook #27552] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK REPRESENTATIVE PLAYS BY AMERICAN DRAMATISTS: 1856-1911: RIP VAN WINKLE*** Representative Plays by American Dramatists: 1856-1911: Rip van Winkle by Charles Burke First Project Gutenberg Edition , (December 18, 2007) [Illustration: Charles Burke] CHARLES BURKE CONTENTS Preface Announcement RIP VAN WINKLE Introduction CAST OF CHARACTERS COSTUME RIP VAN WINKLE ACT I. SCENE I. SCENE II. SCENE III. SCENE IV. SCENE V. ACT II. SCENE I. SCENE II. SCENE III. SCENE IV. SCENE LAST. Transcribers' Notes This is the history of the evolution of a play. Many hands were concerned in its growth, but its increase in scenic effect as well as in dialogue was a stage one, rather than prompted by literary fervour. No dramatization of Washington Irving's immortal story has approached the original in art of expression or in vividness of scene. But, if historical record can be believed, it is the actor, rather than the dramatist, who has vied with Irving in the vitality of characterization and in the romantic ideality of figure and speech. Some of our best comedians found attraction in the ri?1/2le, yet, though Charles Burke and James A. Herne are recalled, by those who remember back so far, for the very Dutch lifelikeness of the genial old drunkard, Joseph Jefferson overtops all memories by his classic portrayal. As far as literary value of the versions is concerned, it would be small loss if none of them were available. They form a mechanical frame-work as devoid of beauty as the skeleton scarecrow in Percy Mackaye's play, which was based on Hawthorne's "Feathertop" in "Mosses from an Old
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