es Amours de Francine' (1555). Amadis
Jamyn was responsible for 'Les Amours d'Oriane,' 'Les Amours de
Calliree,' and 'Les Amours d'Artemis' (1575). Desportes's 'Premieres
OEuvres' (1575), a very popular book in England, included more than three
hundred sonnets--a hundred and fifty being addressed to Diane, eighty-six
to Hippolyte, and ninety-one to Cleonice. Ponthus de Thyard produced
between 1549 and 1555 three series of his 'Erreurs Amoureuses,' sonnets
addressed to Pasithee, and Belleau brought out a volume of 'Amours' in
1576.
Minor collections of French sonnets published between 1553 and 1605.
Among other collections of sonnets published by less known writers of the
period, and arranged here according to date of first publication, were
those of Guillaume des Autels, 'Amoureux Repos' (1553); Olivier de Magny,
'Amours, Soupirs,' &c. (1553, 1559); Louise Labe, 'OEuvres' (1555);
Jacques Tahureau, 'Odes, Sonnets,' &c. (1554, 1574); Claude de Billet,
'Amalthee,' a hundred and twenty-eight love sonnets (1561); Vauquelin de
la Fresnaye, 'Foresteries' (1555 et annis seq.); Jacques Grevin, 'Olympe'
(1561); Nicolas Ellain, 'Sonnets' (1561); Scevole de Sainte-Marthe,
'OEuvres Francaises' (1569, 1579); Estienne de la Boetie, 'OEuvres'
(1572), and twenty-nine sonnets published with Montaigne's 'Essais'
(1580); Jean et Jacques de la Taille, 'OEuvres' (1573); Jacques de Billy,
'Sonnets Spirituels' (first series 1573, second series 1578); Estienne
Jodelle 'OEuvres Poetiques' (1574); Claude de Pontoux, 'Sonnets de
l'Idee' (1579); Les Dames des Roches, 'OEuvres' (1579, 1584); Pierre de
Brach, 'Amours d'Aymee' (_circa_ 1580); Gilles Durant, 'Poesies'--sonnets
to Charlotte and Camille (1587, 1594); Jean Passerat, 'Vers . . .
d'Amours' (1597); and Anne de Marquet, who died in 1588, 'Sonnets
Spirituels' (1605). {445}
INDEX.
A
Abbey, Mr. E. A., 342
Abbott, Dr. E. A., 364
Actor, Shakespeare as an, 43-45
_See also_ Roles, Shakespeare's
Actors: entertained for the first time at Stratford-on-Avon, 10
return of the two chief companies to London in 1587, 33
the players' licensing Act of Queen Elizabeth, 34
companies of boy actors, 34 35 38 213
companies of adult actors in 1587, 35
the patronage of the company which was joined by Shakespeare, 35 36
women's parts played by men or boys, 38 and _n_ 2
tours in the provinces, 39-42
foreign tours, 42
Shakespeare's a
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