*
Enough Said.
"Sir Henry apologised at the close for having made the lecture
somewhat shorter than usual. Sir Donald ---- said that theirs was an
unspoken gratitude to Sir Henry for having done what he had been able
to do."--_Scots Paper._
* * * * *
"MADRID, Dec. 8.
"The Ministry of Public Works has announced that on January 15 next an
opportunity will be offered to foreign firms to secure orders for 119
railway engines and tenders needed by the Spanish railway companies.
Tenders must be handed personally by a duly accredited representative
of the firm making the offer."--_Times._
The engines may, however, be done up in a parcel and sent by post in
the usual manner.
* * * * *
[Illustration: _Indian Servant (as telephone continues ringing)._
"OH, SAR, DO NOT BE SO ANGRY. THE SAHIB IS COMING VERY QUICKLY, I TELL
YOU."]
* * * * *
THE ARRIVAL OF THE MANX BALLET.
The first visit of the Manx Ballet to London is undoubtedly the most
outstanding feature in the annals of choregraphic and corybantic
realism since the historic _premiere_ of the Botocudo Troupe on
September 31st, 1919. And it is all the more welcome as an indication
of the emergence of a native school, fully equipped in technique and
scenic resource and, above all, imbued from start to finish with
a high sense of the paramount importance of psycho-analysis in
eliminating all supra-liminal elements from the orchestro-mimetic
drama.
The most ambitious as well as the most successful item in the
programme presented on Saturday night at the Colossodrome was _The Cat
of Ballasalla_, that wonderful old Manx legend of the Princess who
was turned into a cat by the enchantments of the Wizard of Dhoon
and subsequently sentenced to decaudation by the cruel Scandinavian
invader, MAGNUS BARFOD. The scene of the trial in the great
synclinorium of Greeba Castle--exhibiting contemporaneous
carboniferous tuffs, soft argillaceous rocks with choriambic fossils
as well as later dolerite dykes, amid which the feline amenities of
the Princess were illustrated with miraculous agility by Miss Agneesh
Crannoge--compares favourably with the most ambitious enormities ever
perpetrated by the genius of BAKST, DIAGHILEV, or even COCODRILLO, the
Sardinian neo-Gongorist.
The music, which is chiefly founded on Manx folk-songs, developed
and adapted by Mr. Orry Poolvash, is
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