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* Enough Said. "Sir Henry apologised at the close for having made the lecture somewhat shorter than usual. Sir Donald ---- said that theirs was an unspoken gratitude to Sir Henry for having done what he had been able to do."--_Scots Paper._ * * * * * "MADRID, Dec. 8. "The Ministry of Public Works has announced that on January 15 next an opportunity will be offered to foreign firms to secure orders for 119 railway engines and tenders needed by the Spanish railway companies. Tenders must be handed personally by a duly accredited representative of the firm making the offer."--_Times._ The engines may, however, be done up in a parcel and sent by post in the usual manner. * * * * * [Illustration: _Indian Servant (as telephone continues ringing)._ "OH, SAR, DO NOT BE SO ANGRY. THE SAHIB IS COMING VERY QUICKLY, I TELL YOU."] * * * * * THE ARRIVAL OF THE MANX BALLET. The first visit of the Manx Ballet to London is undoubtedly the most outstanding feature in the annals of choregraphic and corybantic realism since the historic _premiere_ of the Botocudo Troupe on September 31st, 1919. And it is all the more welcome as an indication of the emergence of a native school, fully equipped in technique and scenic resource and, above all, imbued from start to finish with a high sense of the paramount importance of psycho-analysis in eliminating all supra-liminal elements from the orchestro-mimetic drama. The most ambitious as well as the most successful item in the programme presented on Saturday night at the Colossodrome was _The Cat of Ballasalla_, that wonderful old Manx legend of the Princess who was turned into a cat by the enchantments of the Wizard of Dhoon and subsequently sentenced to decaudation by the cruel Scandinavian invader, MAGNUS BARFOD. The scene of the trial in the great synclinorium of Greeba Castle--exhibiting contemporaneous carboniferous tuffs, soft argillaceous rocks with choriambic fossils as well as later dolerite dykes, amid which the feline amenities of the Princess were illustrated with miraculous agility by Miss Agneesh Crannoge--compares favourably with the most ambitious enormities ever perpetrated by the genius of BAKST, DIAGHILEV, or even COCODRILLO, the Sardinian neo-Gongorist. The music, which is chiefly founded on Manx folk-songs, developed and adapted by Mr. Orry Poolvash, is
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