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their porcelain pipes imported from Vienna with the air of men of the world who have travelled and who could tell you a thing or two if they liked. They are never tired of talking of Mehadia, which is one of their principal stations. The sad-faced nobleman, followed by the decorous old man-servant in fantastic Magyar livery, who arrived in the diligence, has been to the baths. The master is vainly seeking cure, comes every year, and always supplies postilion and guard with the money to buy flasks of wine. This the postilion tells me and my fellows, and suggests that the "honorable society" should follow the worthy nobleman's example. No sooner is it done than postilion and guard kiss our hands; which is likewise an evidence that they have travelled, are well met with every stranger and all customs, and know more than they say. The Romans had extensive establishments at Mehadia, which they called the "Baths of Hercules," and it is in memory of this that a statue of the good giant stands in the square of the little town. Scattered through the hills, many inscriptions to Hercules, to Mercury and to Venus have been found during the ages. The villages on the road thither are few and far between, and are inhabited by peasants decidedly Dacian in type. It is estimated that a million and a half of Roumanians are settled in Hungary, and in this section they are exceedingly numerous. Men and women wear showy costumes, quite barbaric and uncomfortable. The women seem determined to wear as few garments as possible, and to compensate for lack of number by brightness of coloring. In many a pretty face traces of gypsy blood may be seen. This vagabond taint gives an inexpressible charm to a face for which the Hungarian strain has already done much. The coal-black hair and wild, mutinous eyes set off to perfection the pale face and exquisitely thin lips, the delicate nostrils and beautifully moulded chin. Angel or devil? queries the beholder. Sometimes he is constrained to think that the possessor of such a face has the mingled souls of saint and siren. The light undertone of melancholy which pervades gypsy beauty, gypsy music, gypsy manners, has an extremely remarkable fascination for all who perceive it. Even when it is almost buried beneath ignorance and animal craft, it is still to be found in the gypsy nature after diligent search. This strange race seems overshadowed by the sorrow of some haunting memory. Each individual belongi
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