FREE BOOKS

Author's List




PREV.   NEXT  
|<   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154  
155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   >>   >|  
ly days, or in days of cheerful labor; we did not guess its essence, until after a long time. SHAKSPEARE;[525] OR, THE POET [Transcriber's Note: Shakspeare is spelled as "Shakspeare" as well as "Shakespeare" in this book. The original spellings have been retained.] 1. Great men are more distinguished by range and extent, than by originality. If we require the originality which consists in weaving, like a spider, their web from their own bowels; in finding clay, and making bricks, and building the house; no great men are original. Nor does valuable originality consist in unlikeness to other men. The hero is in the press of knights, and the thick of events; and, seeing what men want, and sharing their desire, he adds the needful length of sight and of arm, to come to the desired point. The greatest genius is the most indebted man. A poet is no rattlebrain, saying what comes uppermost and, because he says everything, saying, at last, something good; but a heart in unison with his time and country. There is nothing whimsical and fantastic in his production, but sweet and sad earnest, freighted with the weightiest convictions, and pointed with the most determined aim which any man or class knows of in his times. 2. The Genius[526] of our life is jealous of individuals and will not have any individual great, except through the general. There is no choice to genius. A great man does not wake up on some fine morning, and say, "I am full of life, I will go to sea, and find an Antarctic continent: to-day I will square the circle: I will ransack botany, and find a new food for man: I have a new architecture in my mind: I foresee a new mechanic power:" no, but he finds himself in the river of the thoughts and events, forced onward by the ideas and necessities of his contemporaries. He stands where all the eyes of men look one way, and their hands all point in the direction in which he should go. The church has reared him amidst rites and pomps, and he carries out the advice which her music gave him, and builds a cathedral needed by her chants and processions. He finds a war raging: it educates him, by trumpet, in barracks, and he betters the instruction. He finds two counties groping to bring coal, or flour, or fish, from the place of production to the place of consumption, and he hits on a railroad. Every master has found his materials collected, and his power lay in his sympathy with his people, and in his love of
PREV.   NEXT  
|<   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154  
155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   >>   >|  



Top keywords:

originality

 

events

 

production

 

genius

 

original

 

Shakspeare

 
thoughts
 

mechanic

 

foresee

 

stands


onward

 

architecture

 
necessities
 

contemporaries

 

forced

 

morning

 

choice

 
ransack
 
botany
 

essence


circle

 
square
 

Antarctic

 
continent
 
direction
 

groping

 

counties

 

barracks

 
betters
 

instruction


consumption

 

sympathy

 

people

 

collected

 

materials

 

railroad

 

master

 

trumpet

 

educates

 
amidst

carries

 
cheerful
 

reared

 

general

 
church
 

advice

 

processions

 

raging

 
chants
 

needed