. He moves in a brilliant sphere where
each effort makes a burning light and outlines his actions with long
streamers of fire.
These, then, are all the elements of knowledge which you should possess,
for the conjugal custom house insists simply in being able by a rapid
but searching examination to know the moral and physical condition of
all who enter or leave your house--all, that is, who have seen or intend
to see your wife. A husband is, like a spider, set at the centre of an
invisible net, and receives a shock from the least fool of a fly who
touches it, and from a distance, hears, judges and sees what is either
his prey or his enemy.
Thus you must obtain means to examine the celibate who rings at your
door under two circumstances which are quite distinct, namely, when he
is about to enter and when he is inside.
At the moment of entering how many things does he utter without even
opening his mouth!
It may be by a slight wave of his hand, or by his plunging his
fingers many times into his hair, he sticks up or smoothes down his
characteristic bang.
Or he hums a French or an Italian air, merry or sad, in a voice which
may be either tenor, contralto, soprano or baritone.
Perhaps he takes care to see that the ends of his necktie are properly
adjusted.
Or he smoothes down the ruffles or front of his shirt or evening-dress.
Or he tries to find out by a questioning and furtive glance whether his
wig, blonde or brown, curled or plain, is in its natural position.
Perhaps he looks at his nails to see whether they are clean and duly
cut.
Perhaps with a hand which is either white or untidy, well-gloved or
otherwise, he twirls his moustache, or his whiskers, or picks his teeth
with a little tortoise-shell toothpick.
Or by slow and repeated movements he tries to place his chin exactly
over the centre of his necktie.
Or perhaps he crosses one foot over the other, putting his hands in his
pockets.
Or perhaps he gives a twist to his shoe, and looks at it as if he
thought, "Now, there's a foot that is not badly formed."
Or according as he has come on foot or in a carriage, he rubs off or he
does not rub off the slight patches of mud which soil his shoes.
Or perhaps he remains as motionless as a Dutchman smoking his pipe.
Or perhaps he fixes his eyes on the door and looks like a soul escaped
from Purgatory and waiting for Saint Peter with the keys.
Perhaps he hesitates to pull the bell; perhaps h
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