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sing in parts; that is to say, that they sung together in different notes, which formed a pleasing harmony. These gentlemen have fully testified, that the Friendly Islanders undoubtedly studied their performances before they were exhibited in public; that they had an idea of different notes being useful in harmony; and also, that they rehearsed their compositions in private, and threw out the inferior voices, before they ventured to appear before those who were supposed to be judges of their skill in music. In their regular concerts each man had a bamboo, which was of a different length and gave a different tone; these they beat against the ground, and each performer, assisted by the note given by this instrument, repeated the same note, accompanying it by words, by which means it was rendered sometimes short and sometimes long. In this manner they sing in chorus, and not only produced octaves to each other, according to their different species of voice, but fell on concords, such as were not disagreeable to the ear. Now, to overturn this fact, by the reasoning of persons who did not hear these performances, is rather an arduous task. And yet there is great improbability, that any uncivilized people should, by accident, arrive at this degree of perfection in the art of music, which, we imagine, can only be attained by dint of study, and knowledge of the system and theory upon which musical composition is founded. Such miserable jargon as our country psalm-singers practise, which may be justly deemed the lowest class of counterpoint, or singing in several parts, cannot be acquired, in the coarse manner in which it is performed in the churches, without considerable time and practice. It is therefore scarcely credible, that a people, semi-barbarous, should naturally arrive at any perfection in that art, which it is much doubted, whether the Greeks and Romans, with all their refinements in music, ever attained, and which the Chinese, who have been longer civilized than any people on the globe, have not yet found out. If Captain Burney (who, by the testimony of his father, perhaps the greatest musical theorist of this or any other age, was able to have done it) had written down, in European notes, the concords that these people sing; and if these concords had been such as European ears
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