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runs through us when we look at him, just as immediately as do his warmth and light. The fact that these imaginative suggestions are not constant does not impede the instant perception that they are actual, and for crude experience whatever a thing possesses in appearance it possesses indeed, no matter how soon that quality may be lost again. The moment when things have most numerous and best defined tertiary qualities is accordingly, for crude experience, the moment when they are most adequately manifested and when their inner essence is best revealed; for it is then that they appear in experience most splendidly arrayed and best equipped for their eventual functions. The sun is a better expression of all his ulterior effects when he is conceived to be an arrogant and all-seeing spirit than when he is stupidly felt to be merely hot; so that the attentive and devout observer, to whom those tertiary qualities are revealed, stands in the same relation to an ordinary sensualist, who can feel only the sun's material attributes, as the sensualist in turn stands in to one born blind, who cannot add the sun's brightness to its warmth except by faith in some happier man's reported intuition. The mythologist or poet, before science exists, is accordingly the man of truest and most adequate vision. His persuasion that he knows the heart and soul of things is no fancy reached by artificial inference or analogy but is a direct report of his own experience and honest contemplation. [Sidenote: Tertiary qualities transposed.] More often, however, tertiary qualities are somewhat transposed in projection, as sound in being lodged in the bell is soon translated into sonority, made, that is, into its own potentiality. In the same way painfulness is translated into malice or wickedness, terror into hate, and every felt tertiary quality into whatever tertiary quality is in experience its more quiescent or potential form. So religion, which remains for the most part on the level of crude experience, attributes to the gods not only happiness--the object's direct tertiary quality--but goodness--its tertiary quality transposed and made potential; for goodness is that disposition which is fruitful in happiness throughout imagined experience. The devil, in like manner, is cruel and wicked as well as tormented. Uncritical science still attributes these transposed tertiary qualities to nature; the mythical notion of force, for instance, being
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