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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction Volume 19, No. 543, Saturday, April 21, 1832. Author: Various Release Date: March 14, 2004 [EBook #11567] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE *** Produced by Jonathan Ingram, Joshua Hutchinson and the Online Distributed Proofreading Team. THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOL. XIX. NO. 543.] SATURDAY, APRIL 21, 1832. [PRICE 2d. * * * * * MELROSE ABBEY. [Illustration: Melrose Abbey.] (_From a finished sketch, by a Correspondent_.) These venerable ruins stand upon the southern bank of the Tweed, in Roxburghshire. The domestic buildings of the monastery are entirely gone; but the remains of the church connected with, as seen in the above Engraving, are described by Mr. Chambers[1] as "the finest specimen of Gothic architecture and Gothic sculpture of which this country (Scotland) can boast. By singular good fortune, Melrose is also one of the most entire, as it is the most beautiful, of all the ecclesiastical ruins scattered throughout this reformed land. To say that it is beautiful, is to say nothing. It is exquisitely--splendidly lovely. It is an object of infinite grace and immeasurable charm; it is fine in its general aspect and in its minutest details; it is a study--a glory." We confess ourselves delighted with Mr. Chambers's well-directed enthusiasm. [1] Picture of Scotland, vol. i. A page of interesting facts towards the history of the Abbey will be found appended to the "Recollections" of a recent visit by one of our esteemed Correspondents, in _The Mirror_, vol. x., p. 445. In the present view, the ornate Gothic style of the building is seen to advantage, but more especially the richness of the windows, and the niches above them: the latter, from drawings made "early in the reign of King William," were originally filled with statues; and, connected with the destruction of some of them, Mr. Chambers relates t
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