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d, rooted to the ground, every nerve straining to catch a faint melodious sound that seemed to fill the air. No music on Earth could equal it! Before me arose a vision of beautiful flowers--flowers that had thoughts as beautiful as themselves, and that through the genius of a man poured forth their souls in a volume of melody, so beautiful as to beggar description. As Almos was perfectly familiar with this remarkable invention, a gradual comprehension of the wonderful genius of Sarraccus, its inventor, came to me. Tall, calm, and of dignified bearing; a man of great learning, but of few words; Sarraccus had won the love and admiration of all by his discovery of the regenerating rays that had given the people of Mars perpetual life and health. He it was who had discovered super-radium, and this wonderful power had, in time, been used by others until many important inventions had developed from it, such as the virator, the radioscope, the radiphone, illumination without expenditure of power or material, and several minor inventions, all of which, however, contributed greatly to the comfort and advancement of this great people. The aerenoid, one of his most important inventions, had made it possible to reach any part of the globe within an hour, and this, coming at the time of the great change in the social conditions on Mars, had expedited the movement to a wonderful extent by bringing the inhabitants of every quarter of the globe into daily contact with one another. So easy and rapid was this means of transit through the air, that cities and towns were soon abolished, and in the process of time, Mars attained the ideal, and became a World Beautiful--the magnificent estate of one large family. And now Sarraccus had given the flowers a voice to sing of their beauty. In the mind of this great genius was conceived the idea that inasmuch as there is ineffable beauty to the eye in the soft colors and shades of a flower--beauty too rare for the hand of man to reproduce--there must also be a corresponding sweetness of sound or vibration, if it were possible to transform its beauty into sound. Light-waves, he reasoned, varying according to the color and shade of the object, might be changed into sound-waves, if an instrument were made sensitive enough to vibrate in response to these extremely delicate undulations of light. The vibrations would then vary in accordance with the light-waves, and a harmony of sound, correspondi
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