onging to her, lawfully obtained by her, and, with an air of
triumph presented it to Selkirk, who, wondering, did not hesitate an
instant to share with the monkey the water contained in his gourd.
This goblet was the ligneous and impermeable capsule, the fruit,
naturally and deeply hollowed out, of a tree called _quatela_.[1] It
was thus that the intelligent Marimonda, after having borrowed from
the numerous vegetables of the island their leaves, to ameliorate her
sufferings, to heal her wounds; their fruits for her nourishment and
even for her sports, also found means to obtain the divers utensils
for house-keeping of which she stood in need.
[Footnote 1: The _lecythis quatela_, of the family of the
_lecythidees_, created by Professor Richard, and whose singular fruits
bear, in Peru as well as in Chili, the denomination of _monkey's
goblets_.]
Charmed with her gentleness, her docility, the affection she seemed to
bear him, Selkirk grew more and more attached to her. Winter, that is,
the rainy season which usually lasts in these regions during the
months of June and July, was approaching; he suffered in anticipation,
from the idea that during this time his gentle companion would not be
able to retain her habitual shelter, beneath the foliage of the trees;
he conceived the project of giving up to her his grotto, and
constructing for himself a new habitation, spacious and commodious. It
is thus that our most generous resolutions, whatever we may design to
do, encountering in their way personal interest, often turn to the
increase of our own private welfare.
At a little distance from the grotto, but farther inland, on the banks
of the stream called the _Linnet_, there was a thicket of verdure
shaded by five myrtles of from fifteen to twenty feet in height, and
whose stems presented a diameter more than sufficient to insure the
solidity of the edifice. Four of these myrtles formed an irregular
square; the fifth arose in the midst, or nearly so; but our architect
is not very particular. He already sees the principal part of his
frame; the myrtles will remain in their places, their roots serving as
a foundation. He removes the shrubs, the plants, the brushwood from
the thicket, leaving only a heliotrope which, at a later period, may
twine around his house and at evening shed its perfumes. He has become
reconciled to its fragrance. He trims the trees, cuts off their tops
eight feet above the ground, leaving the middle
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