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tanding on
the dais, to drop them, let them fall from you."
"Yes, I think I know exactly. I will try, and, if I don't do it
rightly, you must tell me and we must begin again."
She took off her hat and cloak and gloves. Then she turned to me and
asked for the dress. I gave it to her and showed her how it fastened
and unfastened with a clasp on the shoulder.
She listened quietly to my directions, then, gathering up all the thin
drapery, walked to the screen and disappeared from my view.
I sat down waiting. A great nervous tension held me. I had ceased to
think of the right or wrong of my action. I was too absorbed now in
the thought of the picture to be conscious of anything else.
When she came from behind the screen clothed in the red Athenian
draperies her face was quite white, but composed and calm. She did not
look at me, but walked to the platform at once. I had withdrawn to a
chair as far from it as was practicable, divining that the nearer I
was the more my presence would weigh upon her. She faced me now on the
dais, and very slowly began to unfasten the buckle on her shoulder. I
sat watching her intently, hardly breathing, waiting for the moment.
She was to me nothing now but the Phryne, and I was nothing but a
pencil held in the hand of Art.
The first folds of crimson fell, disclosing her throat and shoulders,
the others followed, piling softly one on the other to her waist,
where they stayed held by her girdle. The shoulders and breasts were
revealed exquisite, gleaming white against the dull glow of the
crimson stuff. I waited. It was a lovely, entrancing vision but I
waited. She lowered her hand from her shoulder and brought it to her
waist, firmly and without hesitation she unclasped the belt, and then
taking the sides of it, one in each hand, with its enclosed drapery,
which parted easily in the centre, she made a half step forwards to
free herself from it, and stood revealed from head to foot. It was the
moment. Her head thrown up, with her eyes fixed far above me, her
throat and the perfect breast thrown outwards and forwards, the slight
bend at the slim waist accentuating the round curves of the hips, one
straight limb with the delicate foot advanced just before the other,
the arms round, beautifully moulded, held tense at her sides, as the
hands clutched tightly the falling folds behind her, these made up the
physical pose, and the pride, the tense nervousness, the defiance of
her own feel
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