t it is photographic and external. Hearing deals in echoes,
but the sense of smell, while saving no vision of a place or a person,
will re-create in a way almost miraculous the inner _emotion_ of a
particular time or place. I know of nothing that will so "create an
appetite under the ribs of death."
Only a short time ago I passed an open doorway in the town. I was busy
with errands, my mind fully engaged, but suddenly I caught an odour from
somewhere within the building I was passing. I stopped! It was as if in
that moment I lost twenty years of my life: I was a boy again, living
and feeling a particular instant at the time of my father's death. Every
emotion of that occasion, not recalled in years, returned to me sharply
and clearly as though I experienced it for the first time. It was a
peculiar emotion: the first time I had ever felt the oppression of
space--can I describe it?--the utter bigness of the world and the
aloofness of myself, a little boy, within it--now that my father was
gone. It was not at that moment sorrow, nor remorse, nor love: it was an
inexpressible cold terror--that anywhere I might go in the world, I
should still be alone!
And there I stood, a man grown, shaking in the sunshine with that old
boyish emotion brought back to me by an odour! Often and often have I
known this strange rekindling of dead fires. And I have thought how, if
our senses were really perfect, we might lose nothing, out of our lives:
neither sights, nor sounds, nor emotions: a sort of mortal immortality.
Was not Shakespeare great because he lost less of the savings of his
senses than other men? What a wonderful seer, hearer, smeller, taster,
feeler, he must have been--and how, all the time, his mind must have
played upon the gatherings of his senses! All scenes, all men, the very
turn of a head, the exact sound of a voice, the taste of food, the feel
of the world--all the emotions of his life must he have had there before
him as he wrote, his great mind playing upon them, reconstructing,
re-creating and putting them down hot upon his pages. There is nothing
strange about great men; they are like us, only deeper, higher, broader:
they think as we do, but with more intensity: they suffer as we do, more
keenly: they love as we do, more tenderly.
I may be over-glorifying the sense of smell, but it is only because I
walked this morning in a world of odours. The greatest of the senses, of
course, is not smell or hearing, but si
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