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ted from his mind. Letter No. 2 was as follows;-- Welbeck Street, 25th February, 187-. DEAR MR BOOKER, I have told Mr Leadham [Mr Leadham was senior partner in the enterprising firm of publishers known as Messrs. Leadham and Loiter] to send you an early copy of my "Criminal Queens." I have already settled with my friend Mr Broune that I am to do your "New Tale of a Tub" in the "Breakfast Table." Indeed, I am about it now, and am taking great pains with it. If there is anything you wish to have specially said as to your view of the Protestantism of the time, let me know. I should like you to say a word as to the accuracy of my historical details, which I know you can safely do. Don't put it off, as the sale does so much depend on early notices. I am only getting a royalty, which does not commence till the first four hundred are sold. Yours sincerely, MATILDA CARBURY. ALFRED BOOKER, ESQ., "Literary Chronicle" Office, Strand. There was nothing in this which shocked Mr Booker. He laughed inwardly, with a pleasantly reticent chuckle, as he thought of Lady Carbury dealing with his views of Protestantism,--as he thought also of the numerous historical errors into which that clever lady must inevitably fall in writing about matters of which he believed her to know nothing. But he was quite alive to the fact that a favourable notice in the 'Breakfast Table' of his very thoughtful work, called the 'New Tale of a Tub,' would serve him, even though written by the hand of a female literary charlatan, and he would have no compunction as to repaying the service by fulsome praise in the 'Literary Chronicle.' He would not probably say that the book was accurate, but he would be able to declare that it was delightful reading, that the feminine characteristics of the queens had been touched with a masterly hand, and that the work was one which would certainly make its way into all drawing-rooms. He was an adept at this sort of work, and knew well how to review such a book as Lady Carbury's 'Criminal Queens,' without bestowing much trouble on the reading. He could almost do it without cutting the book, so that its value for purposes of after sale might not be injured. And yet Mr Booker was an honest man, and had set his face persistently against many literary malpractices. Stretched-out type, insufficient lines, and the French habit of meandering with a few words
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