ted from his mind. Letter No. 2 was as follows;--
Welbeck Street, 25th February, 187-.
DEAR MR BOOKER,
I have told Mr Leadham [Mr Leadham was senior partner in the
enterprising firm of publishers known as Messrs. Leadham and
Loiter] to send you an early copy of my "Criminal Queens." I have
already settled with my friend Mr Broune that I am to do your "New
Tale of a Tub" in the "Breakfast Table." Indeed, I am about it
now, and am taking great pains with it. If there is anything you
wish to have specially said as to your view of the Protestantism
of the time, let me know. I should like you to say a word as to
the accuracy of my historical details, which I know you can safely
do. Don't put it off, as the sale does so much depend on early
notices. I am only getting a royalty, which does not commence till
the first four hundred are sold.
Yours sincerely,
MATILDA CARBURY.
ALFRED BOOKER, ESQ.,
"Literary Chronicle" Office, Strand.
There was nothing in this which shocked Mr Booker. He laughed
inwardly, with a pleasantly reticent chuckle, as he thought of Lady
Carbury dealing with his views of Protestantism,--as he thought also
of the numerous historical errors into which that clever lady must
inevitably fall in writing about matters of which he believed her to
know nothing. But he was quite alive to the fact that a favourable
notice in the 'Breakfast Table' of his very thoughtful work, called
the 'New Tale of a Tub,' would serve him, even though written by the
hand of a female literary charlatan, and he would have no compunction
as to repaying the service by fulsome praise in the 'Literary
Chronicle.' He would not probably say that the book was accurate, but
he would be able to declare that it was delightful reading, that the
feminine characteristics of the queens had been touched with a
masterly hand, and that the work was one which would certainly make
its way into all drawing-rooms. He was an adept at this sort of work,
and knew well how to review such a book as Lady Carbury's 'Criminal
Queens,' without bestowing much trouble on the reading. He could
almost do it without cutting the book, so that its value for purposes
of after sale might not be injured. And yet Mr Booker was an honest
man, and had set his face persistently against many literary
malpractices. Stretched-out type, insufficient lines, and the French
habit of meandering with a few words
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