ouched her arm. She gave a start and looked at
him with frightened eyes. He had nothing to give her, but he said:
"Good-bye, Momola"; and he thought to himself that when he was grown up
and had a sword he would surely come back and bring her a pair of shoes
and a panettone. The abate was calling him, and the next moment he found
himself lifted into the carriage, amid the blessings and lamentations of
his foster-parents; and with a great baying of dogs and clacking of
whipcord the horses clattered out of the farmyard, and turned their
heads toward Pianura.

The mist had rolled back and fields and vineyards lay bare to the winter
moon. The way was lonely, for it skirted the marsh, where no one lived;
and only here and there the tall black shadow of a crucifix ate into the
whiteness of the road. Shreds of vapour still hung about the hollows,
but beyond these fold on fold of translucent hills melted into a sky
dewy with stars. Odo cowered in his corner, staring out awestruck at the
unrolling of the strange white landscape. He had seldom been out at
night, and never in a carriage; and there was something terrifying to
him in this flight through the silent moon-washed fields, where no oxen
moved in the furrows, no peasants pruned the mulberries, and not a
goat's bell tinkled among the oaks. He felt himself alone in a ghostly
world from which even the animals had vanished, and at last he averted
his eyes from the dreadful scene and sat watching the abate, who had
fixed a reading-lamp at his back, and whose hooked-nosed shadow, as the
springs jolted him up and down, danced overhead like the huge Pulcinella
at the fair of Pontesordo.

1.2.

The gleam of a lantern woke Odo. The horses had stopped at the gates of
Pianura, and the abate giving the pass-word, the carriage rolled under
the gatehouse and continued its way over the loud cobble-stones of the
ducal streets. These streets were so dark, being lit but by some lantern
projecting here and there from the angle of a wall, or by the flare of
an oil-lamp under a shrine, that Odo, leaning eagerly out, could only
now and then catch a sculptured palace-window, the grinning mask on the
keystone of an archway, or the gleaming yellowish facade of a church
inlaid with marbles. Once or twice an uncurtained window showed a group
of men drinking about a wineshop table, or an artisan bending over his
work by the light of a tallow dip; but for the most part doors and
windows were barred