equence. After the hymns follow
thirty-eight doxologies, the editor having added to the short list of
common ones others which are fine enough to become standard at once.

But it is less as a hymn- than as a tune-book that "Church Pastorals"
merits the notice of societies and individuals who are truly interested
in religious music, and we pass at once to our remarks upon this portion
of the work. The compiler, although holding himself personally
responsible for every selection, has availed himself of the advice and
assistance of persons professionally eminent in sacred music, one of
whom placed at his disposal a library which is unique in this country,
containing works of which few Americans have owned or seen duplicates,
such as rare "Choral-Buecher" of German cathedrals, and curious
collections of English ecclesiastical compositions, a partial list of
which is included in the volume, for the benefit of those who are
curious in such matters, or wish to know how far Dr. Adams's researches
have led him. To ascertain how many new melodies of the purest
devotional character have been derived from these rich sources a careful
examination is necessary, as also to comprehend with what skill the
harmony has been preserved or adapted, in order to secure the two
desirable results,--absolute freshness and beauty of treatment, and
practicability for ordinary use; but a casual inspection will give
sufficient indication of the spirit in which the work was undertaken,
and of the faithfulness with which it has been completed.

While originality has been properly sought, the old, familiar elements
have not been neglected, and those simple songs which were upon the lips
of our parents and grandparents, and are yet dear to us from association
and intrinsic worth, are set in among the newer strains. The first
lines only are given of such as need merely to be recalled to the memory
of any who ever sing; but of others, equally prized, but less likely to
be remembered, the full score is given.

The doxologies are for the most part set to noble chorals of such
strong, straightforward character that they cannot fail to become
friends and intimates at once. In them, as in all the tunes, the compass
of ordinary voices has been considered; and although nothing has been
left undone which could give beauty to melody or scholarly variousness
to harmony, the whole has been brought within the range of all singers.

A novel and peculiar feature of t