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Project Gutenberg's Martin Pippin in the Apple Orchard, by Eleanor Farjeon This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Martin Pippin in the Apple Orchard Author: Eleanor Farjeon Posting Date: November 19, 2008 [EBook #2032] Release Date: January, 2000 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MARTIN PIPPIN IN THE APPLE ORCHARD *** Produced by Batsy. HTML version by Al Haines. Martin Pippin in the Apple Orchard by Eleanor Farjeon FOREWORD I have been asked to introduce Miss Farjeon to the American public, and although I believe that introductions of this kind often do more harm than good, I have consented in this case because the instance is rare enough to justify an exception. If Miss Farjeon had been a promising young novelist either of the realistic or the romantic school, I should not have dared to express an opinion on her work, even if I had believed that she had greater gifts than the ninety-nine other promising young novelists who appear in the course of each decade. But she has a far rarer gift than any of those that go to the making of a successful novelist. She is one of the few who can conceive and tell a fairy-tale; the only one to my knowledge--with the just possible exceptions of James Stephens and Walter de la Mare--in my own generation. She has, in fact, the true gift of fancy. It has already been displayed in her verse--a form in which it is far commoner than in prose--but Martin Pippin is her first book in this kind. I am afraid to say too much about it for fear of prejudicing both the reviewers and the general public. My taste may not be theirs and in this matter there is no opportunity for argument. Let me, therefore, do no more than tell the story of how the manuscript affected me. I was a little overworked. I had been reading a great number of manuscripts in the preceding weeks, and the mere sight of typescript was a burden to me. But before I had read five pages of Martin Pippin, I had forgotten that it was a manuscript submitted for my judgment. I had forgotten who I was and where I lived. I was transported into a world of sunlight, of gay inconsequence, of emotional surprise, a
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