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s that he had a medal struck in Paris in honor of the event. Only one specimen has been left to posterity, because at the failure of the bold enterprise he expressly ordered the medals and dies to be destroyed. On one side is the Emperor's half-length portrait, on the reverse is the image of Hercules stifling the giant Antaeus in his arms. On the top are the words, "Descente en Angleterre," and underneath, "Frappe a Londres" (Struck in London). This remarkable bit of coinage is said to be still preserved in the Paris Mint. AN INDEPENDENT BARBER. Here is an entertaining story about a Frenchman who was too proud to do things which were against his principles. The story is vouched for as an actual fact by the man to whom the incident happened. While travelling in Europe he stopped overnight at Caen, and noting that his hair was unduly long he went to have it cut by the local barber. He told the barber to take off very little, but before the scissors had been at work many seconds he noticed a favorite lock fall on to the calico jacket in which he had been arrayed. Whereupon he reproved the barber for not following his instructions, upon which the man observed, in mingled tones of reproach and dismay, "Monsieur must permit me to do my work in the way which seems best to me; and what is more, I shall take off some more." "Not at all," said the traveller; "I tell you I want very little taken off, and must insist upon your doing as I direct you." The barber, however, was not to be put down in this way, and said, "Monsieur, it is possible that this is how things may be done in England, but here in France we are not slaves. I shall cut off as much as I please." End of Project Gutenberg's Harper's Round Table, May 7, 1895, by Various *** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S ROUND TABLE, MAY 7, 1895 *** ***** This file should be named 32957.txt or 32957.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/9/5/32957/ Produced by Annie McGuire Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use
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