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ge country houses is most lamentable. In such neglect are they that it would take months, and in some cases years, working day and night, to restore them to a healthy condition. For, poor things! they are really so neglected, that their covers become like the limbs of rheumatic people. If you touch them they seem to shriek and cry with pain. They are either parched for lack of a proper atmosphere, or else they are sticking together with the damp or thickly covered with dust.[8] There is nothing else in a house like this, and why are these things so? It is because there are so few people who understand the care of books. I once read the following in a daily paper, and thought I recognised in it a familiar hand, that of Mr. Andrew Lang:-- 'The foes of books are careless people--first of all. They tear pages open with their thumbs, or cut them with sharp knives which damage the margins. It is so difficult to keep paper knives, and ivory paper knives are the favourite pasture of some scholars, who bite the edges till the weapon resembles a dissipated saw. To avoid this temptation some employ mediaeval daggers, or skene dhus, but the edges spoil a book. Cigarette ashes are very bad for books, so is butter, also marmalade. Dr. Johnson and Wordsworth are said to have been very careless with their books. Dr. Johnson used to clean his from dust by knocking them together, as Mr. Leighton says housemaids do. Scott was very careful; he had a number of wooden dummies made, and, when a volume was borrowed, he put the dummy in its place on the shelf, inscribing it with the name of the borrower. He also defended his shelves with locked brazen wires. "Tutus clausus ero" ("I shall be safe if shut up"), his anagram, was his motto, under a portcullis. Borrowers, of course, are nearly the worst enemies of books, always careless, and very apt to lose one volume out of a set. Housemaids are seldom bibliophiles. Their favourite plan is to dust the books in the owner's absence, and then rearrange them on fancy principles, mostly upside down. One volume of _Grote_ will be put among French novels, another in the centre of a collection on sports, a third in the midst of modern histories, while others are "upstairs and downstairs, and in my lady's chamber." The diversity of sizes, from folio to duodecimo, makes books very difficult to arrange where room is scanty. Modern shelves in most private houses allow no room for folios, which have to lie, l
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