FREE BOOKS

Author's List




PREV.   NEXT  
|<   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88  
89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   >>   >|  
s to speak efficaciously, he must say what is already in his hearer's mind. That, alone, the hearer will believe; that, alone, he will be able to apply intelligently to the facts of life. Any conviction, even if it be a whole system or a whole religion, must pass into the condition of commonplace, or postulate, before it becomes fully operative. Strange excursions and high-flying theories may interest, but they cannot rule behaviour. Our faith is not the highest truth that we perceive, but the highest that we have been able to assimilate into the very texture and method of our thinking. It is not, therefore, by flashing before a man's eyes the weapons of dialectic; it is not by induction, deduction, or construction; it is not by forcing him on from one stage of reasoning to another, that the man will be effectually renewed. He cannot be made to believe anything; but he can be made to see that he has always believed it. And this is the practical canon. It is when the reader cries, "Oh, I know!" and is, perhaps, half irritated to see how nearly the author has forestalled his own thoughts, that he is on the way to what is called in theology a Saving Faith. Here we have the key to Whitman's attitude. To give a certain unity of ideal to the average population of America--to gather their activities about some conception of humanity that shall be central and normal, if only for the moment--the poet must portray that population as it is. Like human law, human poetry is simply declaratory. If any ideal is possible, it must be already in the thoughts of the people; and, by the same reason, in the thoughts of the poet, who is one of them. And hence Whitman's own formula: "The poet is individual--he is complete in himself: the others are as good as he; only he sees it, and they do not." To show them how good they are, the poet must study his fellow-countrymen and himself somewhat like a traveller on the hunt for his book of travels. There is a sense, of course, in which all true books are books of travel; and all genuine poets must run the risk of being charged with the traveller's exaggeration; for to whom are such books more surprising than to those whose own life is faithfully and smartly pictured? But this danger is all upon one side; and you may judiciously flatter the portrait without any likelihood of the sitter's disowning it for a faithful likeness. And so Whitman has reasoned: that by drawing at first-hand from himself an
PREV.   NEXT  
|<   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88  
89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   >>   >|  



Top keywords:

thoughts

 

Whitman

 

hearer

 
highest
 
traveller
 

population

 
fellow
 

poetry

 

simply

 

portray


moment
 

central

 

normal

 

declaratory

 

countrymen

 
formula
 

individual

 

reason

 

people

 
complete

judiciously

 
flatter
 

portrait

 

danger

 

faithfully

 

smartly

 

pictured

 
likelihood
 

drawing

 

reasoned


sitter

 

disowning

 

faithful

 

likeness

 

travel

 

genuine

 

travels

 

surprising

 

exaggeration

 

humanity


charged

 

perceive

 

behaviour

 

flying

 

theories

 

interest

 
assimilate
 

weapons

 

dialectic

 

induction