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ME ACQUAINTED WITH MY WIFE 180 IV. TELLS IN WHAT A STARTLING MANNER I LEARNED THAT I WAS NOT ALONE IN GRADEN SEA-WOOD 189 V. TELLS OF AN INTERVIEW BETWEEN NORTHMOUR, CLARA, AND MYSELF 197 VI. TELLS OF MY INTRODUCTION TO THE TALL MAN 202 VII. TELLS HOW A WORD WAS CRIED THROUGH THE PAVILION WINDOW 208 VIII. TELLS THE LAST OF THE TALL MAN 214 IX. TELLS HOW NORTHMOUR CARRIED OUT HIS THREAT 221 A LODGING FOR THE NIGHT 227 THE SIRE DE MALETROIT'S DOOR 250 PROVIDENCE AND THE GUITAR 273 NEW ARABIAN NIGHTS TO ROBERT ALAN MOWBRAY STEVENSON IN GRATEFUL REMEMBRANCE OF THEIR YOUTH AND THEIR ALREADY OLD AFFECTION NEW ARABIAN NIGHTS THE SUICIDE CLUB STORY OF THE YOUNG MAN WITH THE CREAM TARTS During his residence in London, the accomplished Prince Florizel of Bohemia gained the affection of all classes by the seduction of his manner and by a well-considered generosity. He was a remarkable man even by what was known of him; and that was but a small part of what he actually did. Although of a placid temper in ordinary circumstances, and accustomed to take the world with as much philosophy as any ploughman, the Prince of Bohemia was not without a taste for ways of life more adventurous and eccentric than that to which he was destined by his birth. Now and then, when he fell into a low humour, when there was no laughable play to witness in any of the London theatres, and when the season of the year was unsuitable to those field sports in which he excelled all competitors, he would summon his confidant and Master of the Horse, Colonel Geraldine, and bid him prepare himself against an evening ramble. The Master of the Horse was a young officer of a brave and even temerarious disposition. He greeted the news with delight, and hastened to make ready. Long practice and a varied acquaintance of life had given him a singular facility in disguise; he could adapt, not only his face and bearing, but his voice and almost his thoughts, to those of any rank, character, or nation; and in this way he diverted attention from the Prince, and sometimes ga
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